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...conservative Figaro, France's former Ambassador to Berlin, André François-Poncet, also worried. He wrote: "What may be clear to an American élite may be less clear to the majority in Congress and, a fortiori, to the mass of electors. . . . There are plenty of people in America for whom Europe is a sort of lunatic asylum, a basket full of peevish crabs...

Author: /time Magazine | Title: International: With Both Hands | 6/30/1947 | See Source »

...York Democrats were eating high on the hog. At Manhattan's Hotel Commodore, 1,300 diners paid $100 a plate for a meal of crab meat in avocado pear figaro, consommé de volaille madrilene, paupiette of Boston sole Marguery, filet mignon sauté with mushroom colbert, salad chiffonade Argenteuil, bombe vanilla sur socle with black cherries jubilee. Cocktails and two kinds of wine were thrown...

Author: /time Magazine | Title: POLITICAL NOTES: Affront | 6/9/1947 | See Source »

Mozart: The Marriage of Figaro (Glyndebourne Festival Opera Company, Fritz Busch conducting; Victor, 33 sides, three albums). A re-issue of a fine performance in which sound and surface suffered slightly in the process; a worthy collector's item. Performance: good...

Author: /time Magazine | Title: The New Records | 5/26/1947 | See Source »

...musty masters are Soprano Frances Alda's gracefully sung Willow Song and Ave Maria from Otello (recorded in 1910) and Baritone Mario Ancona's Eri tu from The Masked Ball (1907). Even scratchier is Luisa Tetrazzini's carelessly sung Voi che sapete from The Marriage of Figaro (1908). Enrico Caruso's faltering Rachel, quand du seigneur, from La Juive, was recorded in 1920 when the great tenor's voice was running down.* Victor has far better Tetrazzini and Caruso records in its files, and obviously wasn't shooting the works the first time around...

Author: /time Magazine | Title: Music: New Records, Dec. 23, 1946 | 12/23/1946 | See Source »

...Mozart fans who expected another Don Giovanni or Marriage of Figaro, it was a disappointment. The Abduction from the Seraglio is a trifle in which half of the dialogue is spoken, not sung. Its story (supplied by Librettist Gottlieb Stephanie, who borrowed it from a comedy by Dramatist Christoph Bretzner, who probably borrowed it from an English comic opera called The Captive) tells of an English cavalier and his manservant who try to liberate the cavalier's lady love and her maid from a Turkish pasha's harem...

Author: /time Magazine | Title: Music: Not So Grand Opera | 12/9/1946 | See Source »

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