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Last week, a decade after University President Neil L. Rudenstine reinvented the role of the Harvard provost, Steven E. Hyman became the fourth man to fill that role. And with the University’s number two office at a historical crossroads, the best indicator of the direction in which he might take it is the interfaculty initiative he once directed: Mind, Brain and Behavior...
...while Chekov’s work may be relevant to Harvard students of today, there is no guarantee that Three Sisters will fill the 556-seat auditorium. Audiences will likely shrink during Harvard-Yale weekend, when many students leave for New Haven. And dramatic works may have even more trouble finding an audience than dance or musical shows. Over 1,600 people saw this semester’s dance show, Against the Grain. Compare that to the approximately less than 600 people who saw Marcus Stern’s adaptation of Eugene O’Neill’s Great...
...largest scale dramatic production this semester, the theater community is looking to Three Sisters to do more than fill seats, though. The Harvard-Radcliffe Dramatic Club (HRDC) board is attempting to increase the number of available tech staffers in the Harvard community. They planned to hold a series of technical theater workshops to train tech staffers and have attendees do supervised tech work for the show. “Our workshops were an attempt not only to help production of the show along, but also to address the problem of a tech/design staff shortage that has long been a problem...
...snail mail” waiting period, not the months of anxiety; nonetheless, those days will provide applicants with several important opportunities. Some early applicants wait for a decision before applying in the regular admissions process. The two extra days will give these students extra time to fill out those applications. It will also give other students a head start on their matriculation decisions, and the ability to make travel arrangements to visit schools further in advance...
...acrid, chemical smell-had settled permanently in the air. Making a slow turn onto my street, I looked up, and for the first time in the fifteen years that I have been looking up, the view had irrevocably, permanently changed. My eye struggled to fill in the blank behind the yellow church and the Customs House, mostly because my vision of the towers had already begun to fade. Partly because they were so familiar that I never really knew exactly what they looked like, and partly because you do not bother to make a memory of what you never thought...