Word: filmã
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...film is the way secrecy imbues power to those who keep secrets,” Moss says. In order to approach this world of shredded documents and locked file cabinets, the co-directors interviewed individuals whose jobs are to keep the government’s secrets. Some of the film??s subjects include Tom Blanton, Director of the National Security Archives; Mike Levin, National Security Agency retiree; and former CIA agent Melissa Mahle who worked in covert operations in the Middle East. Blanton and Levin accompanied the directors to the Sundance Film Festival, where “Secrecy?...
...point where it quite sufficiently replaces extraneous dialogue. Intimate interior scenes are spliced with establishing shots that show the sky in fast-forward, the clouds moving rapidly over the castle and its walls, as though the film is moving towards an inevitable and grim ending. But despite the film??s dark outlook, it does not drag. Instead, “The Other Boleyn Girl” darts forward with the energy of Anne’s schemes and her family’s ambitions. Many of the scenes are short but pregnant with meaning. In several shots, Mary...
...studio system? What does Gondry think makes a movie worth watching?As ambitious as these questions may be, the director isn’t terribly concerned with answering them in “Rewind.” Instead, Gondry—who also wrote the film??takes the loosely autobiographical plotline as an opportunity to run wild with the refined amateurism that resulted in the high points of his last film, 2006’s “The Science of Sleep.”The victim of an electrical accident, Mike’s sudden...
...Sing Out,” guaranteed to enrage any “Harold and Maude” fan. Attempting to draw such a connection comes off as cheap and contrived, a sad reminder of how poorly the movie tries to encapsulate every cinematic teenage rebel of the last half-century.The film??s many unoriginal lines perhaps best exemplify this. At a party, the football captain, one of the countless students who feels he can trust the all-knowing Charlie, confesses that he has always wanted to go to Paris and study painting. (Wait, are we watching...
...said in the question and answer session after the screening. He could be “a painter, maybe a poet, maybe a filmmaker.” “Sylvia” is filled with such uncertainties, perhaps because it is almost devoid of dialogue. The film??s lack of clear storyline also leaves it open to interpretation. Even the purpose and importance of dialogue itself is open to question, as well as other aspects of the film. The title of the film, “En la ciudad de Sylvia?...