Word: film
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Dates: during 1970-1979
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...their creators as formal abstractions, such austere structures bore out the "less is more" precept in an unintended way: they used far more heating and cooling energy than the buildings they replaced. Now owners are scrambling to make skyscrapers more energy efficient with such devices as heat pumps, reflective film on windows and costly refinements of lighting systems. (At present, a late-staying worker at Manhattan's World Trade Center who does not have a lamp at his desk must switch on a quarter-acre of lights.) More important, the Federal Government's edict lowering thermostats to 65?...
Leroy ("Satchel") Paige, 73, the lanky pitcher who over four decades terrified opponents and electrified fans with his artistry on the mound, is about to get the TV-movie treatment. In Don't Look Back, an ABC film to be aired next year, Lou Gossett Jr., will portray Hall of Famer Paige. Gossett, 42, who played sandlot ball in Brooklyn with a lefty named Sandy Koufax, is thrilled to be portraying Paige, the man who did not believe in looking back, because, as he explained in a phrase that has entered the language, "someone may be gaining...
...brute cost of survival, the deep need and sustaining force of human affection in dire adversity and the taxing journey to the root core of one's identity. The play at Manhattan's New Apollo Theater achieves these ends, thanks in part to an arresting performance by Film Actor Gere (Looking for Mr. Goodbar, Yanks). Even greater thanks are due David Dukes for his extraordinarily intuitive portrayal of Horst, a man rounded up by the state for having signed a petition demanding rights for "queers." To put this in proper historical perspective, some of the earliest Nazi party...
...this, which seems clear in retrospect, got muddled up in the psychedelic Zeitgeist of the waning '60s, and then confounded even further by the buoyantly bonkers ministrations of Director Ken Russell, whose wildly successful 1975 film version of Tommy was like Busby Berkeley on a bummer. By that time, The Who was working on extensions both of Tommy's form and its themes. Quadrophenia (1973) was an even more ambitious, although less flashy, successor, a two-record chronicle of the desperate life and ironic resurrection of a poor London Mod kid in the early '60s. (It has just been released...
...others agree. "We certainly wouldn't be doing the kind of things we're doing now." He means not only making plans, which include for the next year a new Who album, Townshend and Entwistle solo efforts, two more mini-tours of the States, a handful of further film projects, including a Daltrey star role as an English con called Me Vicar, and the elusive Lifehouse. He also means making the kind of music that sets the standard and makes The Who the band to beat...