Word: film
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Dates: during 2000-2009
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Vampires, werewolves and dewy teen girls continued their profitable prowl through the multiplexes, as The Twilight Saga: New Moon was No. 1 for the long holiday weekend. The second film in the Twilight quartet racked up $42.5 million for the usual Friday-to-Sunday frame and $66 million during the five-day Thanksgiving span. The Stephenie Meyer phenomenon has now taken in $230.7 million in North American theaters, according to studio estimates. That makes it, after just 10 days, the sixth highest-grossing movie of 2009. New Moon has amassed even more abroad, $243 million, which suggests it will cross...
...this weekend? A few people. Old Dogs - the semi-geezer semi-comedy that teamed the director (Walt Becker) and one of the stars (John Travolta) of the surprise hit Wild Hogs with aging jackanapes Robin Williams - cadged a modest $16.8 for the three days. And the mayhem-festooned action film Ninja Assassin was the decade's lowest-grossing opening for the Wackowski brothers, once renowned for The Matrix. Its $13.1 million three-day gross was considerably below not only V for Vendetta but the widely reviled (and, take one stubborn critic's word for it, visually enthralling) Speed Racer...
...with Congress Party President Sonia Gandhi on Nov. 23 and demanded the death penalty for Qasab, although the verdict is months away. Mumbaikars' interest in the trial has waned, although it spikes with the occasional dramatic moment, as when the testimony of the photographer who captured Qasab on film brought the defendant to tears...
...Unless, that is, you're more curious about Orson Welles than about the charming but still callow Zac Efron. In the new Richard Linklater film, Me and Orson Welles, a youthful Welles is brilliantly embodied by Christian McKay in one of those, hey-who's-that? performances that tends to draw Oscar talk, even if the film itself isn't much more than an extremely pleasant lark. It is set in 1937, when Welles was just 22 and his ego was better established than his career. His broadcast of H.G. Wells' The War of the Worlds was a year away...
...Linklater (Dazed and Confused, School of Rock) usually sticks to contemporary stories, or ones set in the recent past. (An exception, The Newton Boys, a 1920s-set western, was his least memorable film.) Nothing about Me and Orson Welles suggests a directorial affinity for period pieces. When a vintage ambulance pulls up to transport Welles around Manhattan, you half expect the prop master to pop out and buff the hood with pride. But Linklater's great strength lies in showing how "families" form in unexpected places, especially when it's a question of putting on a show. Here...