Word: film
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...Releasing it for free is just good marketing," he says. "Whether it's through piracy or distribution your film is out there on the Internet, so we decided to harness this." And he has managed to make quite a bit of money out of it. Online sales of merchandise - including T-shirts and collector's editions of the DVD - have generated $430,000 on a film that only cost $21,500 to make, Vuorensola says. He and his team have also now secured a proper distribution deal with Revolver Entertainment in the U.S. and Britain. (See the best movies...
Attractive notions, all. So why don't they coalesce into a fully satisfying film? In part, because they expose the show's structure as a variety program, an episodic fashion show. Each of the women in Guido's life comes on, talks about her life, performs a song, then fades into the crowd. Some of these solo spots are pretty wow-y: Cruz's writhing sensuality in "A Call from the Vatican," the surprising sass and vocal authority that Judi Dench brings to "Folies Bergere" and a nicely gaudy turn by the pop star Fergie as a zaftig whore...
...role went to Day-Lewis, an actor nearly the opposite of Bardem. He's coiled, wary, and has a spirit that's not even slightly Mediterranean. In 8-1/2, Mastroianni was such a natural charmer - so, we have to say, Italian - that he made indolence attractive; in that film, a perpetual sexual adolescence was not a flaw but a goal (especially because women kept throwing themselves at him, and what woman wouldn't?). Day-Lewis has wit, looks and a furious dedication to every role, but he's so tense and intense that he can't unleash the showman...
Nine, the perplexing new film based on the 1982 Broadway musical, is inspired by Federico Fellini's landmark 1963 comedy-fantasy 8-1/2. After achieving a worldwide smash with La Dolce Vita, Fellini was besieged with questions about his next film. What would it be about? How will you top yourself, maestro? He had the bold brainstorm to make a movie about a man who can't make a movie. And since the notion was just slightly autobiographical, the movie would be made, in a way, by the man the movie is about. The premise contained its own absurdity...
That was a very distant time. Today, film directors prefer to make movies based on old movies, not plumb the pools of their own artistry. Hollywood looks back, not inward. Nine, directed by Rob Marshall (Chicago) and scripted by Anthony Minghella (The English Patient) and Michael Tolkin (The Player), wants to do both: engage in a little navel-gazing while summoning the glories of Italian cinema in the Cinecitta era of the 1960s. Find a role for Sophia Loren! Cast Kidman as an amalgam of Claudia Cardinale and Anita Ekberg! And, just as anachronistic, have people sing their troubles...