Word: film
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...unbelievably sweet that John Krasinski put his blood, sweat, and presumably, profits from The Office into writing and directing a film adaptation of David Foster Wallace's Brief Interviews with Hideous Men. That may sound patronizing, but having watched this film twice now, knitting together the gossamer strands of plot while searching for a profound, literary point that proved too delicate to find with the naked eye - his generosity of intent is really the main impression that remains. He read, he loved, and unfortunately, he did not conquer...
...crafting the screenplay, which dances with abstraction, Krasinski created a new character, Sara Queen (Julianne Nicholson, star of Law and Order: Criminal Intent, and indie films such as Flannel Pajamas and Tully). Sara is a graduate student studying feminism. In a number of stagy, self conscious scenes, Sara interviews with men in a professional setting - behind a desk, with microphone and tape recorder - and then listens in on conversations between men in more public places, restaurants, apartment buildings, parties and such. In the film's last scene, we find out that she's studying the impact of feminism, although...
...together such complicated crazy quilts of words that you had to take his essays and prose in slowly, inch by inch (or in the case of me and Infinite Jest, absorb over the course of a leisurely decade. Or two). You hope for that same richness in Krasinski's film. Instead I found myself thinking of those man-on-the-street interviews Sex and the City used during its first season, in which men copped to their hideous dating practices, seemingly for the sole purpose of churning up female disgust. It is difficult to imagine David Foster Wallace putting...
...generally the stuff of compelling cinema. We prefer the end results of a personal education rather than the acquisition of it. If Project Runway were about the formation of the designers' sensibilities rather than the creative execution of that sensibility, would anyone watch? This automatically puts Fontaine's film at a disadvantage, and the truly enigmatic nature of her subject only compounds it. "You want, but you don't know what," Emilienne tells Coco, and the movie keeps us at that same remove. It may be too respectful of the legend it seeks to illuminate...
Students heading to Harvard Hillel tomorrow may find themselves on national TV—in Korea. Of all visitors to campus, the Korean Broadcasting System (KBS) will be in town tomorrow to film a roundtable discussion at Hillel in which students share their experiences as American Jewish college students with Korea’s foremost public television station, which is creating a documentary on Jewish life in America...