Word: film
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...Ferrell's Land of the Lost, which opened lamely last weekend, lost 51% of its business this frame; it's as if there were an Internet whispering campaign that all the Land of the Lost theaters were swine-flu venues. Opening the same day as The Hangover, the Ferrell film has taken in just a third of its revenue. As for Eddie Murphy's kid-friendly Imagine That, it earned better reviews than his 2008 Dave did - for Eddie, mixed is raves - but registered about the same pathetic first weekend gross: $5.7 million. Next stop for the reigning star...
...makeshift basement that served as their classroom. Deeply shaken, all four opted to study in Egypt after the war under a religious sponsorship. They returned at 18 in hijabs - a sharp break from their families' traditions. Their transformation was hardly unique. Aida Begic, 33, a director whose first feature film Snow has won numerous awards, says her teen years in besieged Sarajevo shook her to the core. "Every minute you wonder what will happen after you die," she says. "You cannot postpone those questions until old age." After years of dabbling in Buddhism and Judaism, and a phase...
Director Todd Phillips made the agreeable Ferrell film Old School, and he can frame catastrophe with a comedic elegance, but he's hamstrung by another reductive script from hot writers Jon Lucas and Scott Moore (Four Christmases, Ghosts of Girlfriends Past). Virtually every joke either is visible long before it arrives or extends way past its expiration date. Even the welcome presence of Heather Graham and a deeply weird cameo by Mike Tyson can't save a bromance so primitive it's practically Bro-Magnon...
...soldiers, spacemen, cops and robbers or, for the more precocious, doctors and nurses. The theme is, Be what you want to be. Then when they grow up, go to Hollywood and make movies, they often create characters that are emotional adolescents, infants, kids. The credo of so many action films and comedies is, Be what you used to be or what you still, secretly, are. This tendency could be the film industry's wise acknowledgment that inside every adult is a backward child ruled by fears and cravings. Or it could just be that movie people know what audiences will...
...tweets, the way hundreds of thousands of pixels form a detailed and complex digital image. Twitter underscores Marshall McLuhan's famous aphorism that the medium is the message--the idea that technological form shapes and determines the culture. McLuhan challenged the traditional notion that content--whether in print, in film or on television--is automatically more significant than the medium through which it is delivered. What we now accept is that the medium changes the nature of what, and how, we communicate. Twitter does that...