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...obit headlines have it right. For all of Robert Mulligan's impressive credentials in his 40-year career as a director of television and movie dramas, his signature achievement was the 1962 film version of Harper Lee's Pulitzer Prize-winning novel To Kill a Mockingbird. The picture - which won three Academy Awards, including Best Actor for Gregory Peck, and earned Mulligan his only Oscar nomination - had an immediate and lasting impact. Back then it provided a Hollywood echo of the civil rights agitation that had roiled the South and seized the nation. But Peck's role as Atticus Finch...

Author: /time Magazine | Title: Mockingbird Director Robert Mulligan Dies at 83 | 12/21/2008 | See Source »

...Mulligan, who died Saturday at 83 of heart disease, had been Finch's gentle shepherd, and deserved at least a share of Peck's Oscar both for casting him and for eliciting the actor's best work. But the director's heart, here as in so many of his films, was with the Finch children. If Mulligan had an abiding interest, it was troubled youngsters on the cusp of discovering themselves by confronting the world around them. This theme occupied him from his first feature film to his last. The 1957 Fear Strikes Out gave Anthony Perkins his first lead...

Author: /time Magazine | Title: Mockingbird Director Robert Mulligan Dies at 83 | 12/21/2008 | See Source »

...scoops we had in hand would be stolen away by a Woodward and Bernstein story, were intensely jealous of their sources. After their book All the President's Men revealed the existence of their secret source, speculation about the identity of Deep Throat, named playfully after a pornographic film of the era, became a Washington parlor game...

Author: /time Magazine | Title: The Man Who Was Deep Throat: Chasing Mark Felt | 12/19/2008 | See Source »

...last decade. Industry handicappers are predicting that Carrey, with a familiar role in an easy-to-sell story, will score a box office win over Smith, whose movie's central and unrevealable plot twists make it a challenge to describe. (They're saying it could be Smith's first film since the 2001 Ali not to break $100 million domestic.) But both films play to their stars' acting strengths, which means that you will probably laugh along with Yes Man, and in Seven Pounds, if you have a soft spot for noble sacrifice, you will cry. (See TIME...

Author: /time Magazine | Title: Yes Man and Seven Pounds: Santas for Hard Times | 12/18/2008 | See Source »

...Seven Pounds (other than, Don't text-message while driving) is that even the most depressive person can find a way to make other people happy. If that doesn't sound like a movie to buoy your Christmas spirit, ask yourself this: How often do you sit through a film's closing credits so you have a little private time to wipe away the tears...

Author: /time Magazine | Title: Yes Man and Seven Pounds: Santas for Hard Times | 12/18/2008 | See Source »

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