Word: film
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...candidate," Milk says in the movie. "The movement is the candidate." That was false modesty. In California he was the movement's star, its producer and director. And Penn dominates the film - not in his usual way, by making brooding seem like a form of higher calisthenics. Perhaps the least homosexual actor around, Penn here reins in his Method bluster to locate the sweetness and vulnerability beneath Milk's assured persona. He becomes this character - surely far from his experience - with no italicizing, no condescension, no sweat. This isn't an impersonation; it's an inhabiting...
...Harvey's troubled lover Jack Lira (Diego Luna), as are Van Sant's old camera tropes of slo-mo and unsteady focus. But they aren't at the foreground, In the dichotomy between his audience-pleasing big movies (To Die For, Good Will Hunting) and his audience-resistant art films (Gerry, Elephant, Last Days, Paranoid Park), Milk is securely in the former category. It's his most disciplined film - he was hired to direct Black's script, stuck to it, worked well with actors - and easily his best...
...Harvey Milk lived with death threats. In the film, before one rally, he is handed a note reading, "You get the first bullet the minute you stand at the microphone." Black frames the film as a monologue delivered into a tape recorder by Harvey, who's as sure of his impending death as he is of his gay-liberation creed. In the '70s, paranoia was simply common sense; the preceding 10 years had seen the murders of King and Robert Kennedy and assassination attempts on Gerald Ford and George Wallace. The movie is faithful to that grungy time...
...WALL?E Pixar's ravishing robot love story is now on three discs (one for downloading) with loads of fun extras, including a cartoon short and a doc about sound-effects genius Ben Burtt, plus commentary on the film by director Andrew Stanton. He's a great guy to spend a movie with...
...Came In from the Cold A realist's corrective to the first flush of Bondomania, this intelligent 1965 film of the John le Carré novel saw the Cold War as a bitter stalemate in shades of gray. Richard Burton and Oskar Werner are the rival agents whose complex loyalties run into a Berlin Wall...