Word: film
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...surprise to see filmmakers and distributors looking for a new model for connecting films with audiences. Last month, Michael Moore released his latest documentary, Slacker Uprising, online and free of charge. For Magnolia, premiering Wang's film on YouTube provides a unique solution to an unusual challenge. Late last year, Wang was completing work on two films: A Thousand Years of Good Prayers and The Princess of Nebraska, both adaptations of stories by Yiyun Li that focus on three generations of Chinese natives now living in America. Prayers, which was released in select art houses in September, tells the tale...
...night, he found his wife Michelle (Marianthi Evans) and their child murdered. Max caught up with two of the perps but caught only a fleeting glimpse of the fleeing chief villain. (The movie gets its suspense from tracking clues to the third man.) We know that this kind of film introduces wives and kids for the sole purpose of killing them off and turning a loving husband into a revenge machine. You got the same deal in this summer's Death Race, where the Jason Statham character also loses his wife and baby, and endures the same frustrating near-miss...
...transfers - Super Mario Bros., Street Fighter, Mortal Kombat, Final Fantasy, Lara Croft: Tomb Raider, Doom, Resident Evil, Alone in the Dark, Hitman and DOA: Dead or Alive, not to mention about a quillion Japanese animes (Pokemon and its brethren) - and a seemingly infinite number of VG adaptations to come: film versions such game franchises as God of War, Gears of War, Metal Gear Solid, Lost Planet, Prince of Persia, EverQuest, Mass Effect, Uncharted: Drake's Fortune, the blessed Sims and, yikes, PacMan. (Can't wait for other retro movies based on the earliest video games: Frogger, Space Invaders and - some...
...makers of the Max movie - director John Moore, screenwriter Beau Thorne - want you to think of their effort as less video game than film noir. Or a Woo noir, since the picture owes a lot to the visual grit and zazz of John Woo, the Hong Kong director (A Better Tomorrow, The Killer, Hard Boiled) who made good in Hollywood with the crackerjack Face/Off. Surly men in overcoats trudge through a nightscape with very busy meteorology: when it isn't pouring rain there are snowflakes everywhere, like the residue from an Olympian pillow fight. And down these gaudily monochromatic streets...
...opening scene of director Wayne Wang’s new film “A Thousand Years of Good Prayers,” suitcase after suitcase slides slowly down an airport conveyer belt in a methodical, mundane rhythm. The scene’s sparse style illuminates the beauty and bleakness of everyday life. And while Wang’s film, which quietly examines a strained father-daughter relationship, is no plot-thriller, it does lull the audience into a peaceful state with its calming, metrical scenes and restrained, spare dialogue. “A Thousand Years of Good Prayers?...