Word: film
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When was the last time you got to see 106 movies in one night? If you went to Le: 60 Film Fest, you’d have had that chance at least once. Lumen Eclipse, the public art project responsible for the festival, held the event on the newly constructed Palmer Street on Oct. 4. Over the course of four hours, audience members watched band Pants Yell!, sampled free appetizers from the Border Café, and, of course, watched 100 films. The catch? Each film was at most one minute in length. Although the format lent itself to films that...
...trying to say is that we bridge the social sciences and humanities.”Both said that an undergraduate degree in Folk and Myth could be a launching pad into any profession, be it business, law, medicine, or film—the first female president of a major film company was a graduate of Harvard’s program.“So many professions rely on the power of a compelling story to make sense out of where we are and where we’re going,” Tatar said.WITCHES AND BREAK DANCERSEven though she didn?...
About 20 minutes into director Robert Weide’s new film, Kirsten Dunst asks Simon Pegg, after he steals her boyfriend’s seat at a crowded bar, “Do you know the meaning of karma?” He clearly does not, but after nearly two hours of such inane dialogue, any limited notion of karma should, at the very least, earn me a free lunch in the next life. “How to Lose Friends & Alienate People,” the movie adaptation of Toby Young’s memoir, stars Simon Pegg...
...Library, which is now holding an exhibit in Pusey Library through Dec. 23. Tweed Roosevelt ’64, Vice-Chair of the Theodore Roosevelt Association, says that the association was more than happy to facilitate Burn’s work. “Books reach many Americans. But films reach many, many more,” he said. Burns is famous for bringing history to life, even when dealing with periods before the advent of the moving image. One technique people who use Apple editing software will be familiar with is his namesake, the Ken Burns Effect. In this...
...witnessing the result of a bad download; you’re watching “Lossless #1,” the first piece in the fall exhibition Lossless at the Carpenter Center’s Sert Gallery. Lossless is a collection of five deconstructed and digitally reworked films by artists Rebecca Baron and Douglas Goodwin. Inspired by the contemporary trend of file sharing, Baron and Goodwin altered the films by manipulating the technology behind them. Interruption of data streaming, the removal of basic information, and other digital methods allow the artists to dematerialize existing films into confusing and surprising visual...