Word: film
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...some idea of the beanstalk-like progress of a Bourne show, consider Edward Scissorhands, which opened in London in November 2005. To bring Tim Burton's gothic coming-of-age film to the stage, New Adventures raised $2 million from investors, and Arts Council England put in a further $780,000. Scissorhands played British venues until the autumn of 2006, then took off for Korea, Japan and the U.S., where it toured until spring 2007. In May of this year, a revived version of the show traveled to Australia, launching a national tour at the Sydney Opera House. The company...
...Alive, the Woodman has not been residing in the auteur empyrean for the past couple of decades. There was a four-film stretch of genuine stinkers - Small Time Crooks, The Curse of the Jade Scorpion, Hollywood Ending and Anything Else - followed by one, Melinda and Melinda, that rose to the level of eh. And since this quintessential New Yorker exiled himself to Europe (where his fondest admirers live, and where the money for his pictures now comes from), he'd made a suave sex-and-murder mystery, Match Point, and two that deserve to have the veil of anonymity drawn...
...York Times, Manohla Dargis wrote of "his recent creative resurrection," which would mean she values (and now I have to mention them) Scoop and Cassandra's Dream more highly than reason allows. I like the new movie, within reason; the question that nags at me is whether the film, appearing during this slow patch in Allen's career, is the beneficiary of our diminished expectations...
...August with a welcoming relative, Judy (Patricia Clarkson), and Judy's husband Mark (Kevin Dunn). Vicky has brought along her friend Cristina (current Woody muse Scarlett Johansson), who is restless emotionally and artistically. She has the impulse to be creative - she starred in and directed a 12 min. film - but not, at least so far as she can locate it, the talent...
...film's narrative voice doesn't take any of these liaisons too seriously. That is the movie's sunny strength and its ultimate limitation - since life is not perhaps simply a series of bed partners from whom we discover that the greatest wisdom is realizing we always have more to learn from others, and about ourselves. The movie has neither the sardonic heft of Max Ophuls' La Ronde nor the emotional precision of Ingmar Bergman's Smiles of a Summer Night, two films that also dance the change-partners gavotte. But Vicky Cristina Barcelona is so engaging so much...