Word: filmed
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...pouting, parental issues, self doubt and philosophical conundrums. "Who am I, Kylie?" Mr. Fox (voiced by George Clooney) muses to the sidekick Anderson has created for him, an opossum voiced by Wally Wolodarksy - then clarifies: "I'm saying this as an existential question." (Read about this fall's Clooney film trifecta...
...eyes transform into dazed little bull's eyes. A beagle with a case of "chronic rabies" is used to great effect, and Boggis (Robin Hurlstone), Bunce (Hugo Guinness) and Bean (Michael Gambon) are brilliantly realized. Stop-motion is clearly a laborious business, but what shows in Anderson's film is not the work, but the joy derived from a craft used to maximum effect. If Fox Searchlight wanted to double its box office, they need only set up a booth selling models of Anderson's Fox family right outside the door of the theaters; they're as appealing...
This exchange, though brief, aptly summarizes the overall experience of watching this film. It begins with high hopes for artistry and authority, makes plodding steps toward achieving these goals, and remains largely unsuccessful. The audience patiently grants the film time to develop, but instead of maturing, the plot slowly abandons its attempts at greatness and withers. The film succeeds in its early attempts to satirize the modern art world, but soon grows convoluted and unnecessarily dark, much like 2006’s indie house failure “Art School Confidential...
...film benefits from a few genuinely thought-provoking discussions of modern art. One scene raises the question of artists who challenge current artistic conventions but remain unpopular—are they true visionaries, or do they simply lack creative talent? At a swanky dinner party early in the film, one guest whispers to another that an under-appreciated artist lacks a following because he is “ahead of his time.” Looking skeptical, the other guest quietly replies, “But what if time never catches up?” These moments, if somewhat exceedingly...
...recalling the abrasive and bizarre soundtrack of a Paul Thomas Anderson movie but without Anderson’s artistic discretion. The film’s surprising turn toward a dark and haunting ending, as typified by a grotesque and unexpected murder scene, also proves jarring and unnecessary. If this film were an artistic hopeful, it would probably do well to accept its limited talents, give up its dream, and get a real occupation...