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...percent hand-drawn, a technique nearly abandoned since the Disney Golden Age, and it stands out as a visual gem. Moore uses vibrant colors to create an innovative animation which weaves together medieval Celtic art and unique, contemporary imagery. On a plot level, the stakes in the film are not so much about losing one’s life as losing sacred spiritual knowledge...

Author: By Elizabeth D. Pyjov, CONTRIBUTING WRITER | Title: The Secret of Kells | 4/6/2010 | See Source »

...protagonist of “The Secret of Kells” is Brendan, a charming 12-year-old red-headed boy. The film follows Brendan’s journey as he tries to understand what is important, decides who to obey and disobey, and courageously searches for his own path. The authority he has always looked up to is his stern uncle, Abbot Cellach, who prioritizes, above all, the construction of a wall that would protect the abbey against a Viking attack. But Brendan soon meets Aidan, an abbot who believes in finishing and preserving a sacred manuscript. This manuscript...

Author: By Elizabeth D. Pyjov, CONTRIBUTING WRITER | Title: The Secret of Kells | 4/6/2010 | See Source »

...hospitalized is a prime example of this: this lover, a nun nonetheless, exclaims, “I’ll kill her; I’ll rip her ears off!” in an emotional explosion in reaction to Ida’s entrance. Throughout the entire film, emotions fail to flag...

Author: By Francis E. Cambronero, CONTRIBUTING WRITER | Title: Vincere | 4/6/2010 | See Source »

...suddenly introduced as an adult after an inexplicable temporal leap in the narrative. To make matters even more confusing, the adult son is played by the same actor who portrays Mussolini. Furthermore, although the montages of real-life Italian scenes of political turmoil accompanying the events in the film constitute a very interesting approach to crafting a fictionalized historical account, their unexpected placement undermines the sense of fluidity...

Author: By Francis E. Cambronero, CONTRIBUTING WRITER | Title: Vincere | 4/6/2010 | See Source »

...wonderful acting on the part of the main characters and the intense depiction of the entire account very much outweigh the film’s faults. For example, early in the film, Mussolini menacingly barks, “It’s ten past five, I challenge God!” This powerful performance, and the many others like it, ensures that this film will haunt viewers long after they have left the cinema...

Author: By Francis E. Cambronero, CONTRIBUTING WRITER | Title: Vincere | 4/6/2010 | See Source »

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