Word: filmed
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...question, The Hurt Locker is a near perfect war film and an excellent choice for Best Picture. Bigelow's job wrangling this orphan project into shape, and her shot-by-shot mastery of the story, should be considered no less impressive than her swaggering hero's effectiveness in defusing bombs on Baghdad streets. The same goes for Mark Boal's winning screenplay, based on his reporting for a Playboy nonfiction piece about IED squads (which really should have put the script in the Best Adapted Screenplay category). (See pictures of James Cameron's special effects...
...friendly theme, and much more boldly anti-military: by the end of the movie, viewers are meant to be cheering for the deaths of the U.S. soldiers trying to occupy Pandora. It didn't help. The Oscar voters saw Avatar (if they did watch it) as just another genre film. No sci-fi movie has ever won Best Picture...
...more like a renunciation of the artistic standards they were nurtured on. Consider that in 1942, the Academy gave its top awards, Best Picture and Director, to John Ford's How Green Was My Valley, a poignant evocation of a Welsh mining town. Fine, honorable, fully worthy. The film it beat: Citizen Kane. Who needs all those low-angle shots, the deep-focus cinematography, the oblique, multifaceted view of a powerful publisher? Those aren't innovations; they're ostentations - cinematic showing off. Thus the Academy blew its chance to give due homage to what is still considered the greatest American...
...grossing film of all time was creamed by the least-seen film ever to win the Academy of Motion Picture Arts and Sciences's top prize. Even the Argentine director took home one more Oscar than Cameron did on Sunday night. Hell, the hippie Swedish dude who did the sound editing and mixing for The Hurt Locker out-statuetted Cameron two to nothing. And at the end of the broadcast, co-host Steve Martin kidded, "The show is so long that Avatar now takes place in the past." Now that's just piling on. By then, Cameron was the underdog...
...Name Is Khan Irrfan Khan is certainly among the finest actors of India, but not the one and only [Feb. 15]. Kamal Hasan, Paresh Rawal and Tabu are just a few other names worthy of mention. While talented stars from the Indian regional-language film industry continuously migrate to Bollywood, I doubt any of Bollywood's megastars will ever fully migrate to Hollywood. India's truly successful actors have no time to think about branching out into Hollywood - their domestic demands are just too great. Khan could because he had time to spare. Had Khan had better looks...