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...original film, Romero tested the viewer's sympathies, partly balancing the plight of the few uninfected townsfolk with the attempt of a Colonel and a scientist to find a cure. The remake dispenses with these nuances, turning the military into a vague, malevolent force that spies from above on Ogden Marsh, then quarantines or removes the townspeople. By doing so it exploits the enmity, across the political spectrum, for people in power. Its sour view of government intervention would suit both the American Left in the Bush-Cheney era and the Tea Party today. As we watch the three people...
...formulaic Cop Out, which stars Bruce Willis and Tracy Morgan as a couple of New York policemen tracking a drug lord and saving a kidnap victim while attending haphazardly to their respective family travails. "Nine years we been together," Paul (Morgan) says to his partner Jimmy (Willis) at the film's beginning. Indeed, the movie feels like a fourth or fifth installment of a cop-buddy franchise, when habit has replaced invention, and the stars' chemistry has evaporated. Willis puts his exasperated machismo on automatic pilot, as it was in last year's Surrogates. And Morgan... would someone explain...
...impulse is more evident here than the second. His strength has always been less in camerabatics, or even directorial competence, than in the creation of wayward characters with a little heart and filthy-funny mouths. He can't do that with a rote screenplay by other people. Blindfold any film fan during the closing credits, and he'd never know that the director was the auteur of Clerks, Chasing Amy and Dogma. The stylistic signature might as well be an inkblot. (Watch TIME's video "Kevin Smith and the Raunch Romance...
...Hard. (Willis says, "I've never seen that one.") If the riff is Smith's contribution, it's both a testing and a flattering of his fans, and maybe a peace of meat for the Keviphiles to munch on while enduring the rest of Cop Out. What the film quiz does is reveal too much about the picture. Morgan plays a cop who knows police work only through cop movies, and that's exactly the way Smith and the writers know policemen. (See "The Zen Machismo of Bruce Willis...
Harvard Associate Professor of Anthropology Kimberly Theidon had no idea that her 2004 book of essays, “Entre Prójimos,” inspired the Oscar-nominated documentary “The Milk of Sorrow” until the film started to win awards last year...