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Word: filmically (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...execution, Chop Suey is a marvelous paradox. It is an “autobiographical documentary” about the world of high fashion, of glitzy entertainment, of celebrity—essentially of people who create and inhabit sublime artificial realities. Bright colors, strange costumes and set pieces command its filmic landscape. Fabulous and freakish personalities float past the lens. We lucky spectators get nice heaping eyefuls of homoerotic icons, fashion designers, super athletes, bright shining Stars, surfer dudes, tragically hip youth, quadriplegic artists. Everything is ready for its close-up; everything is so chock full of life and attitude...

Author: By Emma Firestone, CONTRIBUTING WRITER | Title: Chopped Up Vignettes with Nowhere to Go | 11/16/2001 | See Source »

...compared, the Japanese assault on Pearl Harbor. Eliminating the World Trade Center from all upcoming films and non-news TV programs won’t cause anyone to forget the pain resulting from Tuesday’s attack. If anything, such a response could be considered a form of filmic denial, inflaming, not mitigating, the country’s collective anxiety...

Author: By Nathan Burstein, | Title: Erasing the Towers | 9/18/2001 | See Source »

...movie theaters, and the figurehead of this movement is the controversial and enigmatic Lars von Trier. With the release of Dancer in the Dark, von Trier has taken center stage as cinema's most hated yet challenging directors of the new millennium. As founder of Dogma 95, the filmic manifesto equal parts mocking and serious, he created a mission statement to scale down cinema and bring an honesty, directness,and more personal style that was previously found in filmmaking giants such as Bresson, Dreyer and Ozu. This decree has spawned the use of handheld video over 35mm film, as well...

Author: By Dan Cantagallo, CONTRIBUTING WRITER | Title: Start Spreadin' the News: Björk! Björk! | 10/13/2000 | See Source »

...feat that the writer-director is so utterly successful in conceiving this anti-filmic structure; one of the first rules of screenwriting, mainstream or otherwise, is to surprise the audience by constantly introducing obstacles that prevent a character from achieving his goal. Anderson defies expectation specifically by refusing to produce such hurdles. While he has the opportunity to create critical wins or losses in each story, he refuses to make plot take over and refreshingly redirects these moments, remaining faithful to character and allowing conflicted desire to obstruct itself. The mosaic storytelling of the film, handled with exquisite skill...

Author: By Rajesh Kottamasu, CRIMSON STAFF WRITER | Title: Magnolia: Petal to the Mettle: P.T. Anderson's circus of dysfunction is worthy of P.T. Barnum | 1/14/2000 | See Source »

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