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Word: filming (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
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Usage:

...this picture. Instead of using what is really known about Richthofen: his innate love of the chase, his early cavalry training, his duel with the English ace, Major Lanoe G. Hawker, whose plane he brought down after a fierce, magnificent combat, the producers waste three-quarters of the film telling a poppycock love story about one of his friends. Most of the photography is poor. One of the rare good shots: newsreel of the actual crowd waiting in Berlin streets to see Richthofen's body carried by. Gold Diggers of Broadway (Warner). Avery Hopwood's comedy about...

Author: /time Magazine | Title: Cinema: The New Pictures Sep. 16, 1929 | 9/16/1929 | See Source »

...ants get the best of a caterpillar, and how a snail beats them; how they get drunk after drinking a secretion of the green wood bugs. Disguised as a twig, the praying mantis stalks its dinner, and the chameleon, wearing stockings, stalks the praying mantis. The film, winds up with the celebrated fight between the mongoose and the cobra which Paramount interpolated as an allegory in The Letter. It lacks unity but even so is a brilliant collection of facts, much easier to remember and much more interesting than the deftest spoken lecture. Best shots: an ant getting down into...

Author: /time Magazine | Title: Cinema: The New Pictures Sep. 9, 1929 | 9/9/1929 | See Source »

...Love (Sovkino). Only the apparent conviction of Russian film directors that no picture is complete unless it points a political moral in support of the existing Russian government-a conviction dictated to them by forces outside their craft-spoils the effect of this good story. Emma Zessarskaya plays a peasant woman who has a love affair with an Austrian prisoner working in Russian fields. As long as the conflict remains a private one between her independent ideas and the standards of her neighbors, the picture is worthwhile, believable. Before it ends the Austrian, a practical, unimaginative fellow up to that...

Author: /time Magazine | Title: Cinema: The New Pictures Sep. 9, 1929 | 9/9/1929 | See Source »

Death Problem. In London one Leslie Faber talked, acted in sound-film White Cargo, died shortly after its completion. Pretending uncertainty whether to exhibit-living and speaking-a man who was dead, the producers asked advice of celebrities. "Show it," said Sir Gerald Du Maurier. "Think," said someone else "what it would be if we could now have a talking motion picture of Henry Irving in The Bells...

Author: /time Magazine | Title: Cinema: Variations Sep. 9, 1929 | 9/9/1929 | See Source »

...Cell Film. Dr. Alexis Carrel, famed surgeon, put a cinema camera against that part of a microscope to which he usually puts his eye. By adjusting the lens to take one exposure per minute he took a moving picture of the growth, subdivision and death of a living cell and of a cell taken from cancerous tissue. His cell-story, magnified from microns to feet, Dr. Carrel exhibited last week to the Rockefeller Institute for Medical Research...

Author: /time Magazine | Title: Cinema: Variations Sep. 9, 1929 | 9/9/1929 | See Source »

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