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Word: filming (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...behemoths were not fighting over peanuts. Last week, the first week of big city sales, some 4,000 cameras were sold in the Manhattan area alone. Though Polaroid was making 10,000 cameras a month, it was forced to ration them, as well as its special film, to retail outlets. For the first time since the war, Polaroid expected to make a profit this year...

Author: /time Magazine | Title: NEW PRODUCTS: Pictures in a Minute | 5/30/1949 | See Source »

...almost three months the British had wrangled over whether the picture should be shown. A critic who saw it in Brussels urged that its exhibition be restricted to such professionals as doctors and magistrates. Published stills stimulated organized squeamishness; 140 London nurses petitioned the board of film censors to keep The Snake Pit off British screens because it showed "mental hospital nurses as harsh, unemotional and often cruel...

Author: /time Magazine | Title: Cinema: Long Shot | 5/30/1949 | See Source »

...When the film came out of the darkroom, it was Capot by a short head. It was also a track record (1:56) for the mile and three-sixteenths and Jockey Atkinson's first Preakness victory. Said he, grinning: "I didn't know I'd won until I saw the board...

Author: /time Magazine | Title: Sport: By a Head | 5/23/1949 | See Source »

...painful fact was that 4,000,000 feet of film still streaming weekly out of five major newsreel companies (Fox-Movietone, Paramount, Warner Pathe, Universal, M-G-M News-of-the-Day) was being staled in television areas by TV's faster, if still less complete, news coverage in pictures. Peacetime had put a big crimp in the popularity won by the war's combat films. But when such ordinarily surefire films as last year's Louis-Walcott fight and Army-Navy game failed to draw heavily, the realists knew the reason...

Author: /time Magazine | Title: Cinema: First Casualty | 5/23/1949 | See Source »

Much of the film is a hair-raising chase by night which ends up in a fire-gutted tenement. As the camera stalks hunter & hunted about the shadowy ruins, the suspense is drawn out to a fine edge. An intelligent sound track, all ears, brings it to a razor sharpness. When Bobby is finally cornered on a giant rafter, overhanging the gaping cellar, the rotted wood starts giving way. What follows is a breathless, well-executed collaboration between lens and microphone...

Author: /time Magazine | Title: The New Pictures, May 23, 1949 | 5/23/1949 | See Source »

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