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Word: filming (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...film's plot unfolds in the twin towns of Altenstadt and Neuburg, on either side of the Elbe, in the Soviet and American zones of Germany. One dramatic shot shows Russians and Americans meeting on the Elbe, with Russian guns grimly pointed westward. The hard-working Russian hero, Major Nikita Kuzmin, is a glaring contrast to the American Major James Hill, an amiable good-for-nothing who carries a bottle of Black & White Scotch in his hip pocket, and tries to involve his highminded Russian opposite number in "some kind of a little deal" on the black market...

Author: /time Magazine | Title: RUSSIA: Two Worlds | 5/23/1949 | See Source »

There is less of the late Raimu in "Cesar" than in the others. While this is regrettable (three will never be enough Raimu on film, anyhow), it at least shows how carefully M. Pagnol had planned his trilogy, and how little he cared for the "star system...

Author: By George A. Leiger, | Title: Cesar | 5/20/1949 | See Source »

There is also less of Charpin, the great actor who plays Panisse. However, he figures prominently in the opening scenes of the movie which are concerned with his death. With Pagnol's perfect taste, understanding, and humor it is one of the most amusing scenes in the film...

Author: By George A. Leiger, | Title: Cesar | 5/20/1949 | See Source »

Kirk Douglas first appeared last fall in "Letter to Three Wives." In that film he played a pensive English teacher. His second appearance gives him a chance to show off his musculature as Midge Kelly, a lightweight boxer who is nearly normal until he steps into a ring. Douglas is a competent boxer and a fine actor in "Champion...

Author: By Charles W. Balley, | Title: The Moviegoer | 5/20/1949 | See Source »

...handful of coincidences and cliches that weaken an otherwise tight structure. Perhaps the most difficult problem facing a critic of this movie is its basic black-and-white. journalistic character: you can't get involved because the hero doesn't draw sympathy. Director Mark Robson has shaded the film impersonally and perfectly. It is a tribute to his direction that the one strong emotion the audience feels is the desire to haul Midge Kelly up off the floor every time he gets knocked down. That is the strength of the film-a strength which overmatches its impersonality...

Author: By Charles W. Balley, | Title: The Moviegoer | 5/20/1949 | See Source »

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