Word: filming
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Dates: during 1960-1969
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...criticism aimed at Shakespeare deserved. There has been a drop in USIA morale steeper than that accompanying most bureaucratic changes of command. But that is due mainly to the impending cut of 375 staff positions for reasons of economy, not ideology. Two weeks ago, USIA rushed out a propaganda film called The Silent Majority. Those who had not seen it automatically assumed from the title that it was a partisan rebuttal to the antiwar march on Washington, and there were cries of foul. In fact, the film gives generally fair treatment to both sides...
...nearby umbrella antenna gleam in the sunlight. To the dismay of scientists-who wanted to study the discoloration of Surveyor's white paint-all of the Surveyor pictures are in black and white; while photographing the little craft, the astronauts forgot to exchange their black-and-white film for color...
Yugoslavia's Marshal Tito was never farther from the Moscow line than when he told a group of film makers: "The world might be far better off if it were left to the artists instead of to the politicians." Those film makers had been making The Battle of Neretva, all about one of Tito's greatest triumphs in his guerrilla war with the Nazis. Produced with the President's personal advice and encouragement, the spectacle cost millions and runs for more than four hours. Last week Tito threw a party to celebrate the premiere, and his guest...
...daily, the Cleveland Plain Dealer, got lucky. A returned G.I., Ronald L. Haeberle, had been attached to C Company as a combat photographer when it moved into My Lai. When the assignment was over, he turned in the black-and-white film supplied him by the Army but kept some color film he had bought himself. Back in Cleveland after discharge, Haeberle resisted showing them to newspapers until last month. Then he called an old school friend, who was a Plain Dealer reporter. The paper snapped up the photographs, ran them in black and white, and then helped Haeberle sell...
...artists who participated in a controlled experiment to test the effects of the drug on creative activity, Rainer was alternately amazed, disturbed and delighted to find himself turning his face into a self-portrait. The sequence is one of the most dramatic moments in a film titled The Artificial Paradises, which will be shown on West German television next week. The guiding genie behind the tests was Dr. Richard Hartmann, a Munich psychiatrist and art dealer, working in conjunction with the Max Planck Institute for Psychiatry...