Word: filming
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Dates: during 1960-1969
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TAKE THE MONEY AND RUN. Woody Allen (who shared the authorship of this zany crime flick) has the star (an inept criminal played by Woody Allen) go through so many bungles that the film loses much of its comic momentum. However, the director (Woody Allen) sustains it all by providing some insanely funny moments...
...profile of German authority, and Sergio Franchi, a profile, period. The show's force does not reassert itself until the appearance of the extras, a cluster of paesani recruited from an Italian village 36 miles south of Rome. They provide a chorus con brio, and give the film verisimilitude no casting office could provide. "The Italian race," wrote Mussolini, "is a race of sheep." By going to the source. The Secret of Santa Vittoria shows why he lost that race-and why Italy, host to invaders and tyrants for 2,000 years, has managed to endure and to survive...
...after the masochist has been properly dissatisfied ("You're raping me," she cries during his listless love-making), the film plummets. Playing host to a series of grotesques, Joe loses an ill-played game of hostility to some erstwhile girl friends. The battle of the exes ranges from shallow youth (Sally Kirkland) to callow middle age (Viveca Lindfors), and includes, in the interim: a toothsome baby sitter; a campaign worker for Eugene McCarthy (is nothing sacred?); a scholarly type who mumbles "I read your paper . . . It's very impressive" as she's being undressed; and a transvestite...
Manifestly, Ginsberg intends his static film to be a set of X rays. Instead it is only a suite of poses. Even the nude sex scenes are filmed in a chiaroscuro that shows far more scuro than chiaro. As does the script. Ginsberg begins with a Pascal epigraph, but on his own he produces bromides: "Why am I telling you all this?"; "I hate men, they degrade you for being a female"; "I crave nothingness . . . not to die, to live! To become! To find myself!" The stars complement the dialogue. The shrink should be dosed with adrenaline; Torn plays...
...least a dozen novels. "I'm a great believer in natural organic growth. You grow a lot of things for a long time, and eventually something flowers and bears fruit." The first novel Fowles submitted to a publisher was The Collector, which was made into a film. After that, he didn't have to teach any more...