Word: filming
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Dates: during 1960-1969
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...staid Victorian laws followed the carefree boisterous spirit of the Regency. It may be that the early '70s will see a period of repressive reaction against the Dionysian tendencies of the young. There may also be a purely spontaneous swing back to discretion and suggestion. "Writers and film makers," predicts Arthur Koestler, "will discover again that pubic hair is less poetic than Gretchen's braids." It is possible, too, that a decline in the work ethic or a weakening of demand for material goods may disrupt the foundation of a hedonist civilization-the economy...
...running the marathon-and carrying the movie-is a dime-store Barnum named Rocky (Gig Young). The son of an itinerant faith healer, Rocky has read the book on corruption and added footnotes of his own. Disgusted at what people-including himself-will do for money, he articulates the film's message: "There can only be one winner, folks, but isn't that the American...
...this melodramatic point, the film achieves its peak. Sailor's face empurples, his lips work and bubble, his body goes limp. "Walk, you son of a bitch, walk!" screams Gloria, carrying a corpse on her back, defying Rocky, circumstances, the Depression-and finally life itself in a racking finish that leaves the spectator as weary, and in a sense, as degraded as the participants. But it is precisely because of Gloria's inexhaustible drive that the film buckles. The dancers stay up for more than a thousand hours. The hall becomes a human zoo where legs, spines...
...degrees into ghastly masks; the bodies seem to pull against a gravity that wants them six feet underground. The music goes round and round, and so do the actors, in a coruscating dance of death. It is a pity that the picture is not left to them. The film makers should have known better than to cling to undimensional symbolism and stylistic conceits. They shoot movies, don't they...
What is reputed to be a script depends mainly on one-liners for comedy, and few of them were worth the effort. What can you say about a film where the statement, "The leaves are yellow" and the reply, "Because they're dying, huh" pass for significant dialogue...