Word: filming
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Dates: during 1970-1979
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...unextravagant revenues go unsupported by Big Business even though the initial investment might be low. Says he: "Large companies could care less about the guy who has a $100,000 idea. They'd lose that in the paper-clip account." Such technological triumphs as Xerography and Polaroid film were developed by small innovator-entrepreneurs only after larger firms turned down the ideas...
Gregory Peck's Atticus is an especially hard act to follow, but Jewison found a superb successor in the person of Al Pacino. Pacino, who plays Arthur Kirkland, the film's do-good hero, first made the big time as Michael in The Godfather. He made it again as the run down hero of Serpico thee years ago, but there's been a drought since. Now comes Arthur Kirkland, who works perfectly for Pacino because he's a blend of Michael Corleone and Serpico. Like Corleone, Kirkland wants to do everything himself; like Serpico, he's a man fighting society...
...film begins with a simple bit of prose, beaten into the ground in grade school and forgotten after age 15--the pledge of allegiance. "The pledge of allegiance is a very big thing," Canadian-born Jewison said last week. To make this point, he recruited Lazlo Kovak--a cameraman whose strong sense of style attracted most of the critical acclaim for Woody Allen's Interiors. The voices of children in the background rise as Kovak zeroes in on a blackboard and an American flag--"and to the republic for which it stands one nation, under God, indivisible, with liberty...
Throughout the film, it is the people who fascinate us. Brown and Silber interview over twenty individuals in the film--everyone from the chief of police at the University of Wisconsin to an aged but valiant Senator Ernest Gruening. A housewife tells of her early, intangible doubts concerning the war. Balding, thirty year old ex-campus radicals relive their moment in the sun, looking back with a curious mixture of embarassed nostalgia and pride at having been a part of the movement which fundamentally changed American foreign policy and values...
KARL ARMSTRONG's words convey some of The War at Home's power and poignancy. Crisply edited and fairly short, about one hundred minutes, this new documentary outstrips any of the current films on Viet Nam: Coming Home, Apocalypse Now, The Deer Hunter. If you only see one film this year, make it The War at Home...