Word: filming
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Dates: during 1970-1979
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...TIME; he treated them to an abundance of his intelligent attention and personal warmth. He was also an exceptionally alert recruiter of new talent. Remembers Heiskell: "He was terribly proud of bringing up people, making them into something." Among his discoveries were James Agee, who became TIME'S film critic, and Sloan Wilson, who worked as Larsen's assistant and modeled his best-selling 1955 novel, The Man in the Gray Flannel Suit, partly on his boss. Says Wilson: "Roy had energy, courtesy, selfdiscipline. When most people were running on twelve volts, he was running on 440 volts...
...produced a series of radio spots distilling news items from the current issue of TIME. The idea developed into The March of Time, an amalgam of journalism and showmanship that lasted until 1951. The program was first broadcast nationwide on CBS radio and then converted to film by Larsen in collaboration with Louis de Rochemont of Fox Movietone News (it won two Oscars in its 16 years...
After holding court in his dressing room, Pavarotti pressed into the crowded corridor followed by the members of a documentary-film crew, one of whom held a white umbrella aloft to diffuse a floodlight. As the tenor made ins progress toward the exit under the effulgent parasol, bestowing more blessings and kisses, breaking into nimble dance steps and mugging for the camera, he looked like a cross between an Oriental potentate and the late Zero Mostel. Before heading off in his Rolls-Royce, he rated his performance that night: "8.5 on a scale of ten, and, remember, I never give...
...which publishes a score of specialty magazines. Manhattan-based Macmillan would broaden ABC's book publishing base considerably. In addition to its trade, text and reference book divisions, it owns the profitable international chain of some 200 Berlitz language schools as well as bookstores, department stores, music and film companies and the Katharine Gibbs secretarial school...
...army for World War I service in Siberia. After graduating from Oxford, he covered Gangster "Legs" Diamond and the underworld for the New York Herald Tribune. In 1933 he published Rackety Rax, an uproarious satire about football and the Mob, and followed it to Hollywood, where it became a film and he became a scriptwriter on such classics as Gunga Din and Annie Oakley...