Word: filming
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Dates: during 1970-1979
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...Erich Segal's heart-burning drivel. You can also think about the decay of Ali McGraw's and Ryan O'Neal's careers since then--proof, I guess, that there is a God. Last year, as Ryan whined, "Love--(beat)--means never having to say you're sorry," the film got caught in the projector and a big brown blotch quickly bubbled over his face, smote, perhaps, by that great Film Critic...
Linda Manz. "I didn't have to act. I just did it. I was brought up scared, so I act scared." Linda Manz, a street-corner scuffler with old eyes, whose half-deaf mother worked as a cleaning woman in Manhattan, tells about her first film role as Richard Gere's kid sister in Days of Heaven. "Ursula was the name of the character at first, but they changed it to Linda, 'cause it was me. It ain't no girl in the 1900s." The film is a strange, dreamlike reminiscence of days when migrant harvesters followed steam-driven threshing...
Linda runs the danger of being typecast forever as a tough runt, which is exactly what she plays in her latest film, The Wanderers, a campy teen-age gang movie in which her boyfriend is a shaven-headed, 6-ft. 6-in., 425-lb. tough named Terror. One scene required her to climb a high fence, and she notes, with satisfaction, that she rejected the director's offer of a double. She has a daredevil's face, marked by a scar that runs from the bridge of her once broken nose, across her right eyelid and down nearly...
Coogan had no guile in him and a heart as wide as a boulevard. When Coogan is forcibly separated from the Tramp, his adoptive father, his cries of desperation can be heard plainly even in this silent film...
...American film makers, slicker and warier, searched for directness in youngsters who also had good looks. Natalie Wood, in Miracle on 34th Street, was artlessly worldly. Dean Stockwell, almost romantically handsome, gave a performance of fearless vulnerability in Down to the Sea in Ships. Stockwell had much in common with Roddy McDowall, who earlier in John Ford's How Green Was My Valley had been one of the first young actors to combine sensitivity and uncertainty without losing the basic strength of childhood. They both anticipated the dreaminess and longing of Brandon De Wilde in Shane...