Word: filming
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Dates: during 1970-1979
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Still, one does not tend to notice these failings as Moonraker unfolds. Broccoli just keeps piling on the goodies: lush Ken Adam sets, gadgetry and gams galore, super stunts and effects. It may be another two-year wait for the next Bond film, so you may as well just stuff yourself silly...
...airtight jailbreak plot, a first-rate storyteller like Director Don Siegel ... and what could possibly go wrong? As it happens, almost nothing. True, Escape from Alcatraz embraces virtually every cliché known to prison movies. Eastwood does not exactly break new ground as an actor either. Yet this film's familiarity ends by breeding affection rather than contempt. When an old-fashioned genre piece is executed with spirit, audiences can rediscover the simple, classic pleasures of moviegoing...
What redeems these stereotypes is the controlled, idiosyncratic performances of a superb supporting cast. Director Siegel (Dirty Harry) never lets an actor go overboard. The same lean quality is visible in his film making. With the help of Bruce Surtees' elegant, metallic-hued cinematography, Siegel makes every point as economically as possible. His style is the visual equivalent of John D. MacDonald's prose, which serves this kind of material well. The tension builds so naturally that neither hokey music or contrived menace is necessary. Only once does Siegel lose control - in a jarringly graphic finger-chopping scene...
DIED. Nicholas Ray, 67, moody, erratic film director; of cancer; in New York City...
...first film, They Live by Night, won critical plaudits for its stark depiction of teen-age alienation, loneliness and savage cruelty-themes he later developed in the psychological western Johnny Guitar and the '50s cult film starring James Dean, Rebel Without a Cause. Ray's fortunes faded in Hollywood in the 1960s, not to be revived by blockbuster fiascos he made abroad...