Word: filming
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Dates: during 1980-1989
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...take a good deal of pushing and prodding to bring about such developments. But around the U.S., that pushing and prodding is slowly taking place. "There are 600 women's business organizations in America," says Wendy ^ Reid Crisp, director of the National Association for Female Executives, "from women in film to women in construction." Most of the groups were born in the 1980s, says Crisp, and their main focus is changing the workplace, battling the glass ceiling and pushing for child-care benefits. Labor unions are also playing a role in these struggles. In any given month in cities around...
...Zemeckis and Bob Gale has created, in the space of just four years, two terrific movies on this subject. Like its predecessor, Back to the Future, Part II does not merely warp time; it twists it, shakes it and stands it on its ear. But as before, the film's technical brilliance is the least of its appeals. Satirically acute, intricately structured and deftly paced, it is at heart stout, good and untainted by easy sentiment...
That brutal jerk Biff Tannen (Thomas F. Wilson) -- he who almost destroyed Marty's parents' lives in 1955, and from whom Marty rescued them in the earlier film -- has survived into the 21st century too. What's worse, on their voyage into the future Marty and Doc unwittingly provide him with the means to construct a dark alternate history beginning in 1955. Over its course, Biff has managed to turn pleasant little Hill Valley, Calif., into a hellish variant of Las Vegas, with himself as its czar. He has even contrived to make Marty's mother a widow and marry...
Amid all these messes, she made some memorable movies, including Gilda and Miss Sadie Thompson. But the final years were awful. She abandoned her last film role in 1972. Eight years later, she was diagnosed as having Alzheimer's disease, and Yasmin cared for her until her death in 1987. Leaming's prose can gush ("the incomparable Hermes Pan," "the fabulous Eartha Kitt") and regularly descends to write-by-the-numbers cliche. But the material is poignant, another reminder of the chasm that can exist between public images and private pain...
...Lena, Karen Evans-Kandel makes her debut with the Huntington Theatre Company. An accomplished actress who has appeared on Broadway, television and film, Evans-Kandel's experience is put to the test as she expertly manages to capture Lena's feelings of utter desperation without falling into the trap of over-emotionalizing and thus undermining the credibility of her character...