Word: filming
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Dates: during 1990-1999
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DIED. ROBERT BRESSON, 98, acclaimed film director whose emphasis on image over dialogue helped redefine French cinema; near Paris (see Eulogy...
...Carrey's uncanny portrayal of Kaufman may be the film's main draw, but it is Alexander and Karaszewski's re-creation of Kaufman's life, enigmatic and unapologetic, that best captures his anarchic spirit. "Sure, Jim's performance channeled the guy, but it's all part of a whole," explains Danny DeVito, who not only produced and co-stars in Man on the Moon but also appeared with Kaufman on Taxi. "Without a good script, everybody knows you'll wind up empty-handed. They nailed him, baby...
...biopic about the screenwriting duo would probably fade in with obligatory teenage scenes of skinny Scott growing up in Los Angeles and larger Larry in South Bend, Ind., both obsessively making Super-8mm movies. Cut to the late '70s, when these film geeks become roommates at the University of Southern California after discovering a mutual love for trashy horror flicks like Herschell Gordon Lewis' Blood Feast and 2000 Maniacs. Now jump-cut to 1990, when they sell an original comedy about a bad seed called Problem Child but become dejected by the unfunny film that is made. To cheer themselves...
...those angles have worked out. A comedy they hoped to produce last year about pioneering sex researcher Alfred Kinsey fell apart during the development process. A film about disco icons the Village People derailed when they couldn't obtain creative control. An homage to the kid-show character H.R. Pufnstuf came close to being produced several times but still hasn't been made. And then there are the dozens of off-center biopic ideas that people are continually bringing them--baseball manager Billy Martin, TV preacher Gene Scott, sideshow freak Johnny Eck, pin-up girl Bettie Page...
Milos Forman's film Man on the Moon, and Jim Carrey's performance as the artist constantly in question, don't attempt to answer that conundrum. Both merely present Kaufman with a dispassionate, ultimately hypnotizing objectivity. It is very possibly the best work each man has done, and assuredly the best thing screenwriters Scott Alexander and Larry Karaszewski have done in a joint career devoted to odd fellows--Ed Wood, Larry Flynt--coolly observed...