Word: filming
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Dates: during 1990-1999
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Skinner's recent auction of movie posters from the silent film era onwards, and the huge popularity of that auction, proves that point especially. The world of Clark Gable, Gone with the Wind, James Cagney and Marilyn Monroe, all seem to go back to a time when going to the movies was special and every star was precisely that - an untouchable, demi-god like star...
...Skinners recent auction of movie posters from the silent film era onwards, and the huge popularity of that auction, proves that point especially. The world of Clark Gable, Gone with the Wind, James Cagney and Marilyn Monroe, all seem to go back to a time when going to the movies was special and every star was precisely thatan untouchable, demi-god like star...
...been a while since a Woody Allen film evoked anything like raw emotion. His 1996 movie musical Everyone Says I Love You had its characters spinning in a delightful tizzy reminiscent of golden age Hollywood, but there wasnt a believable human relationship in it. His last two films, Celebrity and Deconstructing Harry, launched some dead-on potshots at the empty hysteria of modern life, but they ultimately amounted to very good one-line jokes, prompting unfair reflection that Allen had become too bitter and insular for his own good...
...real jewel of the film is Samantha Morton as Hattie, a mute laundress who tries to tries to take up Emmet as a lover. Looking like she just stepped out of a silent film, Morton gives a performance that, without a single line of actual dialogue, matches Penns in intensity and sheer entertainment value. Her expressive eyes and Groucho Marx facial expressions make her the perfect foil for Emmets self-absorbed rambling. Its so clear that the two are right for each other that when Emmet totally fails to realize the value of Hatties unconditional love, we realize just...
...fancier enchantress. Unfortunately, Uma Thurman disappoints as Blanche, an Anais Nin wannabe with a fetish for performing geniuses: the amusing concept of her character doesnt justify her time on screen. The period detail, though sumptuously photographed by Chinese cinematographer Zhao Fei, doesnt hold interest on its own. Happily, the film finds its way back again in the end when Emmet shows up outside Hatties laundry. A lovely scene between Penn and Morton in the films final reel allows Allen to hone in on his message about the emotions which drive real musical artistry...