Word: filming
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Dates: during 1990-1999
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...trip was a tonic for him; this film, for all its verbal and emotional buoyancy, touches a depth his earlier work danced around, like revelers on a volcano's edge. Mother begins by painting an idyll: of Manuela (Cecilia Roth), a nurse who works in her hospital's organ-transplant unit, and her darling son Esteban (Eloy Azorin). Manuela is the mom every gay, or simply sensitive, son would adore. She watches All About Eve with him, gives him a Truman Capote book for his birthday, takes him to a production of A Streetcar Named Desire. He is a sweet...
Hollywood likes his moves too. In a U.S. market where foreign-language films are hard to find even in art houses, Almodovar, 48, is a reliable moneymaker. He also makes the kind of bright, saucy films Hollywood wishes it could. So the studios have courted him ever since his 1988 hit Women on the Verge of a Nervous Breakdown. They bought remake rights for Jane Fonda, then for Whoopi Goldberg (though the film wasn't made), then they asked him to direct Sister Act, First Wives Club, Runaway Bride and, he says, "anything with drag queens." But though he hopes...
There is another family in this briskly cathartic film: the brilliant acting ensemble. Almodovar cherishes the notion of a family of actors--the gypsies who, for a few months, become as close as siblings under the maternal eye of their director. So with each new project he plans reunions, forming the tightest stock company in movies. Nearly a dozen actors have appeared in three or more of his films. One, Antonio Banderas, segued into American stardom. The others are all actresses, including Paredes, Carmen Maura and Victoria Abril. Almodovar is the man who loves women, who understands them, who writes...
...film, when Manuela discovers her son's fate, she lets out a hoarse wail of sorrow, chilling in its nakedness. Much later she is onstage, filling in for Nina as Stella in Streetcar, and she emits precisely the same cry; she has remembered and transformed her mourning into art, and the audience applauds fervently. It is a lovely clue to one of the movie's themes, as Almodovar describes it: "the capacity of women to act without being professional actresses: to lie, to fake, to perform. Men and women both have loneliness, pain, the same kind of suffering...
...Harvard, Yale, Columbia, the University of Chicago and M.I.T. Major U.S. corporations such as IBM, Ford Motor and Arthur Andersen increasingly recruit at Canadian schools. Graduates of the University of Waterloo, with its world-class math and computer-science programs, are recruited by Microsoft, Sun Microsystems and Oracle. Film- production students at Concordia University in Montreal are often hired before graduation...