Word: filming
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Dates: during 1990-1999
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...Fans have shown worry that Smith's witty dialogue might be at risk with all the action in the film, and there is a perceptible difference. Steeped in violence, many of the movie's jokes are considerably darker than those in his other films and are sometimes reminiscent of Pulp Fiction banter. Fortunately, the two perverted prophets, along with a comic-booky atmosphere, lighten the mood and get more than their fair share of screen time. Although some of duo's jokes are simply bromidic facsimiles of the gags from the other Jersey flicks (like I've never heard...
...very ecumenical: as long as you love God, it doesn't really matter whether you believe the Almighty is male or female, white or black. Just for the record, God is a white female, who looks like Alanis Morissette? Well yep, that's Him at least according to this film. Placing Morissette in the role of God is certainly the most controversial casting in the film--not so much because she's a woman, but because, as one Internet fan revealed, "she's not hot." Yes, Emma Thompson was originally billed for the role, but Morissette is surprisingly appropriate. Rather...
...Dogma's message is undeniably reverent. It probes, mocks, deconstructs, reconstructs and criticizes religion, but never faithit knows better than to mess with faith. Yes, the Catholic League might have some qualms with this movie, and so might film purists. Dogma isn't a spectacular example of cinema--far from it. But the themes are too powerful to ignore, no matter what you believe...
...Extending this sort of brash independence and playful wickedness to the rest of the film, Rozema has departed quite a bit from the subdued, "pretty" tone taken by other Austen filmmakers.And in losing this, she's brought social criticism to the fore. The film practically drips with satire--but it's a satire that's not entirely Austen. Of course, the story itself mocks many of the mores of the society Austen depicts, and the movie, accordingly, is not without some excellent moments (Harold Pinter makes an excellent pre-Victorian patriarch, dropping proper ultimatums right and left...
...noticeably less distasteful and quite unabashedly sexual; in general, characters are more unguardedly flirtatious, witticisms a little sharper, plot changes less subtle; and crowning it all is the "sex scene". The infidelity discovered via implication in a letter in Austens novel becomes a visual, shocking debacle in the film, quite in character with the brash nature of the adaptation. Amazingly, the director has planned her story in a way that makes this acceptable by keeping with her more open, admittedly "extreme" tone throughout the movie, Rozema has us prepped for what would be the unthinkable--a sex scene (gasp...