Word: filming
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Dates: during 1990-1999
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...Mann's film, The Insider, which opens around the country next week, is also a drama about credibility. So the movie asks if Bergman can trust the insular and somber Wigand, who says that Brown & Williamson, the tobacco company where he once worked as chief of research, knowingly added cancer-causing chemicals to its products. Can Wigand trust Bergman, who keeps pushing him to go public with his story, though it cost him his severance pay, his peace of mind and his marriage? Can Bergman trust Wallace? And can anybody trust 60 Minutes, the most lustrous of TV newsmagazines...
...happens, the debate that has blown up around The Insider is also about credibility. Although neither Wallace nor 60 Minutes executive producer Don Hewitt has been allowed to see the film in advance of its release, the two argue that it merely reflects the point of view of Bergman, played by Al Pacino, who now works as a free-lance documentary producer and who was a consultant on the film. Wallace insists that throughout the whole fight, he and Bergman "were two peas in a pod, stood shoulder to shoulder" in their determination to air the interview. But the film...
...same, Wigand, who now runs a one-man antismoking foundation, Smoke Free Kids, is happy with the film. He got Roth and Mann to obscure details about his children and to avoid showing any of the characters smoking cigarettes; but Roth says Wigand didn't try to intervene at all in the way he was depicted. "When Jeffrey read the portrayal, warts and all, he didn't ask us to change anything." That includes an invented scene in which Wigand appears to be on the brink of suicide. Wigand says he "never got that despondent" but is "very comfortable with...
Bergman is pleased with the film too. "It's not a documentary," he says. "It's more of a historical novel." But he's angry with his former colleagues at CBS, who are claiming that he was negotiating with Mann to make a film about the Wigand blowup even while it was going on. "It was apparent to anybody in the editing room," says Wallace, "that he was frequently on the telephone [to Mann] with a play-by-play while he was producing the piece for us." Bergman insists he didn't start thinking about making the story into...
...last at the multiplex forever. 60 Minutes, he says, "has been around for, like, 30 years. A movie, if it's lucky, is around for maybe a week." Or is it? There's already talk of possible Oscar nominations for Russell Crowe, Pacino or Plummer. That would keep the film alive well into next year. And then there's the video release. All that could mean a long stretch ahead for 60 Minutes. Tick, tick, tick, tick, tick, tick, tick...