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Word: filming (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Last night's screening of the movie "Baraka," a film that portrays cultural and natural images from around the world, kicked off the weeklong celebration of the U.N., co-sponsored by the International Relations Council (IRC), the Weatherhead Center for International Affairs (WCFIA) and the Woodbridge Society of International Students...

Author: By Jonathan F. Taylor, CONTRIBUTING WRITER | Title: Harvard U.N. Week Kicks Off | 10/27/1999 | See Source »

Zuzanna M. Olszewska '01, an international student from Poland and a board member of the Woodbridge Society, had seen the film in Singapore and, overwhelmed by its power, brought the movie to Harvard...

Author: By Jonathan F. Taylor, CONTRIBUTING WRITER | Title: Harvard U.N. Week Kicks Off | 10/27/1999 | See Source »

Frank Pierce's life is basically a high-speed pursuit of a state of grace that keeps eluding him. Frank, who in Martin Scorsese's new film Bringing Out the Dead is played in a sort of stunned frenzy by Nicolas Cage, is a New York City paramedic working Hell's Kitchen on the aptly named graveyard shift. He's been on the job too long, and lately its only compensation--the rush, the high of saving a life--has eluded him. He's famished, but he can't eat. He's exhausted, but his sleep is haunted, particularly...

Author: /time Magazine | Title: Cinema: Living with the Dead | 10/25/1999 | See Source »

Even when nothing is doing, something is doing, for Frank's driver partners are all loony in different ways. John Goodman's false reasonableness, Ving Rhames' born-again religiosity, Tom Sizemore's addiction to violence--nothing about any of them can help Frank. The film is full of casual dark humor, but what's best about it is its resistance to the conventional three-act movie structure. Its string of incident is relentless, virtually undifferentiated, like life, and contains no promise of uplifting resolution. Bringing Out the Dead is like its title--blunt, truthful, uncompromising. It is hard...

Author: /time Magazine | Title: Cinema: Living with the Dead | 10/25/1999 | See Source »

...Bruce Willis) and Katie (Michelle Pfeiffer) are nearly splitsville. The Alan Zweibel-Jessie Nelson script, which wants to be true and funny, tries too hard to be either. There are a few moments (notably Pfeiffer's sweet, blathery peroration) to remind you of when a Rob Reiner film was a treat and not a chore. But mostly the movie is like the marriage: good casting, golden promise, yet somehow a grating ordeal. The Story of Us means to describe pain; instead, it inflicts...

Author: /time Magazine | Title: Cinema: The Story Of Us | 10/25/1999 | See Source »

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