Word: filming
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Dates: during 2000-2009
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...Releasing it for free is just good marketing," he says. "Whether it's through piracy or distribution your film is out there on the Internet, so we decided to harness this." And he has managed to make quite a bit of money out of it. Online sales of merchandise - including T-shirts and collector's editions of the DVD - have generated $430,000 on a film that only cost $21,500 to make, Vuorensola says. He and his team have also now secured a proper distribution deal with Revolver Entertainment in the U.S. and Britain. (See the best movies...
...works. This is especially true at a time when funding from studios has been seriously hit by the recession - just as it was on the way up. "The last 10 years has been a renaissance period for independent filmmaking and there has been more money coming into production for films than in any other decade in the history of film," says Jonathan Wolf, managing director of the American Film Market, an annual event where filmmakers and studio executives converge to sign production and distribution deals. But since the economic downturn, many indie movie distributors, including New Line Cinema, Miramax...
...Like Vuorensola, American animator Nina Paley ignored traditional distribution methods and released her film, Sita Sings the Blues, a comic adaptation of the Hindu epic, The Ramayana, directly online earlier this year. She first created a blog, www.ninapaley.com, to develop a community of supporters, and then posted the film on another site, www.sitasingstheblues.com, for free. It was an instant success. "I have my blog, but I essentially gave the film to the audience and they ran with it," Paley says. "It wasn't self-distribution, it was audience distribution." (See the best blogs of the year...
Attractive notions, all. So why don't they coalesce into a fully satisfying film? In part, because they expose the show's structure as a variety program, an episodic fashion show. Each of the women in Guido's life comes on, talks about her life, performs a song, then fades into the crowd. Some of these solo spots are pretty wow-y: Cruz's writhing sensuality in "A Call from the Vatican," the surprising sass and vocal authority that Judi Dench brings to "Folies Bergere" and a nicely gaudy turn by the pop star Fergie as a zaftig whore...
...role went to Day-Lewis, an actor nearly the opposite of Bardem. He's coiled, wary, and has a spirit that's not even slightly Mediterranean. In 8-1/2, Mastroianni was such a natural charmer - so, we have to say, Italian - that he made indolence attractive; in that film, a perpetual sexual adolescence was not a flaw but a goal (especially because women kept throwing themselves at him, and what woman wouldn't?). Day-Lewis has wit, looks and a furious dedication to every role, but he's so tense and intense that he can't unleash the showman...