Word: filming
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...weeks and, in about the same time, should overtake the Transformers sequel. It has already passed the billion-dollar mark at the worldwide box office (Transformers 2 topped out at $800 million), quickly becoming the fourth highest-grossing all-timer after the second Pirates of the Caribbean film, the final Lord of the Rings installment and, at the top, a little love story called Titanic. The ultimate face-off of Cameron vs. Cameron is still down the road. But in 2009's cosmic economic battle of extraterrestrials - the Autobots and Decepticons of the Michael Bay movie and the Pandorans...
...which were the big losers? Expensive duds are harder to calibrate; for example, a film may disappoint Stateside and be a hit abroad. Still, it's a Hollywood rule that movies with $100 million-plus budgets should at least earn as much at the domestic box office as they cost to produce. If they didn't in 2009, they made our top-of-the-flops list. The underperforming nine: Terminator Salvation, Disney's A Christmas Carol, G.I. Joe, Angels & Demons, Watchmen, The Taking of Pelham 1 2 3, Public Enemies, Land of the Lost and Where the Wild Things...
...studio boss once described a good movie as "one that people go to see." Does that tautology make Transformers 2 a great movie? A lot of film critics - and even some real people - saw the film's popularity as some triumph of the clones. It's not that the killer-toy action adventure was a bad movie, though it was, but that it amassed its fortune almost by rote, as if its title alone, promising to duplicate the automaton thrills of its predecessor, justified laying down money for it. Transformers 2 didn't enter the national consciousness; it anaesthetized...
Television and film writer Luca Martera is by no means among those who approve of Tartaglia's actions. But he's no fan of his Prime Minister either, whom he blames for keeping Italy stuck in its culture of corruption and compromise. "The attack of Berlusconi was tragicomical, like his entire personal story," says Martera. "The blood on his face was dramatic. But from a symbolic point of view, it's a bit hard to take too seriously an attack where the weapon is a miniature replica of the Duomo...
Lula saw the film but was, says Barreto, too emotional to voice his opinion. That must have been a first for Lula, a giant among conversationalists. But when you're a superhero like Lula, you are free to set the rules. And the music...