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...Austrian director is known for his contradictions. A former film critic and television producer, Haneke, 67, prides himself on being an art-house provocateur and a fierce critic of big-budget, Hollywood movies. And yet his films have recently started to attract more mainstream audiences and enjoy commercial success. Four years after his thriller Hidden earned a respectable $16 million at the box office worldwide, he is garnering critical acclaim and snapping up awards for his latest film, The White Ribbon. The movie, released this fall in Europe and set to open in December in the U.S., won the Palme...

Author: /time Magazine | Title: Michael Haneke's Film Noir | 11/30/2009 | See Source »

Just don't expect him to be wrapped up in awards talk. Haneke takes a very pragmatic view of his newfound popularity. "Awards are important for all directors because they improve your working conditions," he says. "You're only as good as your last film, so if you get prizes or large audiences, then you get more money for your next film." But success and money is unlikely to change his style. Throughout his career, Haneke hasn't attracted controversy so much as courted it and if his films are looked upon as bleak diatribes on the human condition, frankly...

Author: /time Magazine | Title: Michael Haneke's Film Noir | 11/30/2009 | See Source »

...voice to the Roald Dahl children's classic, purloined a so-so $7 million in its first weekend of wide release; it earned about the same per-screen average as the much feebler animated feature Planet 51. The Road, with Viggo Mortensen enduring many a hardship in the film version of Cormac McCarthy's post-apocalyptic novel, took in a sturdy $1.5 million at 111 theaters, to finish a mere $10,000 behind Clooney's 10th-place The Men Who Stare at Goats. In a special engagement at single theaters in New York City and Los Angeles, Disney...

Author: /time Magazine | Title: Box Office: New Moon Takes a Hit on The Blind Side | 11/29/2009 | See Source »

Vampires, werewolves and dewy teen girls continued their profitable prowl through the multiplexes, as The Twilight Saga: New Moon was No. 1 for the long holiday weekend. The second film in the Twilight quartet racked up $42.5 million for the usual Friday-to-Sunday frame and $66 million during the five-day Thanksgiving span. The Stephenie Meyer phenomenon has now taken in $230.7 million in North American theaters, according to studio estimates. That makes it, after just 10 days, the sixth highest-grossing movie of 2009. New Moon has amassed even more abroad, $243 million, which suggests it will cross...

Author: /time Magazine | Title: Box Office: New Moon Takes a Hit on The Blind Side | 11/29/2009 | See Source »

...this weekend? A few people. Old Dogs - the semi-geezer semi-comedy that teamed the director (Walt Becker) and one of the stars (John Travolta) of the surprise hit Wild Hogs with aging jackanapes Robin Williams - cadged a modest $16.8 for the three days. And the mayhem-festooned action film Ninja Assassin was the decade's lowest-grossing opening for the Wackowski brothers, once renowned for The Matrix. Its $13.1 million three-day gross was considerably below not only V for Vendetta but the widely reviled (and, take one stubborn critic's word for it, visually enthralling) Speed Racer...

Author: /time Magazine | Title: Box Office: New Moon Takes a Hit on The Blind Side | 11/29/2009 | See Source »

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