Word: filming
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Well, you can imagine how the screening went. Although, FlyBy admits, the documentary itself presented both sides of the argument equally and objectively. Nicely done, film-makers...
...Rehab,” “Don’t Stop Believin’,” “Somebody to Love” – but this is one of the best numbers we’ve seen on the show. The sequence is a film unto itself: the use of diagetic and non-diegetic music, the use of the stage and its wings, the amount of information imparted without a single line of dialogue. It’s a heartbreaking, wordless little story with great choreography...
...film functions best as a set of such fragmented moments; Krasinski’s original plotline involving Sara remains the movie’s most bland and least convincing device. Scenes that show Sara in class, at professors’ cocktail parties, or in cafés with her friends, have a TV-show quality to them; they remain vignettes without developing her character and only tenuously tie the interviews together into a coherent narrative...
...film otherwise focused on personal testimonies and confessions, her blankness seems to stem out of banal grievances. Her Krasinski-scripted loneliness does not have the same stark impact as that of her friend Harry (Benjamin Gibbard of “Death Cab for Cutie”), who uses Wallace’s words to confess the way he feels when his girlfriend is about to climax during sex: “This moment has this piercing sadness to it—of the loss of her eyes. I become like an intruder...
...witness—always emotionally interacting with the world she is watching. Reacting is human; when Ryan erupts and shouts “Judge me!” he is not only demanding but acknowledging the power of natural human behavior to utterly devastate. In Krasinski’s film, as in Wallace’s prose, no man or woman is left spared...