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...prizes given by separate juries, the indigenous Australian film Samson and Delilah took the Camera d'Or award for best first feature, and Arena won for best short film...

Author: /time Magazine | Title: Haneke's The White Ribbon Wins Cannes Palme d'Or | 5/24/2009 | See Source »

...Richard Corliss' reviews from the 62nd annual Cannes Film Festival...

Author: /time Magazine | Title: The Palme d'Or | 5/24/2009 | See Source »

...days, the 62nd Cannes Film Festival was in large part the Cannes Movie Festival. At a hallowed venue where minimalist art films usually dominate, this year sensation often ran rampant. Blood spurted from necks, noses, guts and, in one memorable gross-out moment, a penis. Extreme characters spanned the globe: a vampire-priest in Seoul, a French crime lord in Hong Kong and an American drug-dealer in Tokyo. Sam Raimi brought a horror movie about a gypsy curse, and Quentin Tarantino enlisted in a fantasy World War II. Gay lovers disported in China, and Ang Lee found psychedelic bliss...

Author: /time Magazine | Title: Haneke's The White Ribbon Wins Cannes Palme d'Or | 5/24/2009 | See Source »

...There was little surprise that the main Palme went to The White Ribbon, an austere and lacerating tale of collective brutality and guilt in a small German village two decades before Hitler took power. This is a pure art film, daunting and demanding, spare and unsparing, making no concession to the prevailing popular taste - except, perhaps, film-festival taste. It was also, as we two Cannes veterans attest, the finest work in the competition. Writer-director Michael Haneke, a personally austere gent who has won prizes here before, with The Piano Teacher (starring Huppert) and Caché, was finally forced...

Author: /time Magazine | Title: Haneke's The White Ribbon Wins Cannes Palme d'Or | 5/24/2009 | See Source »

...best performance of the festival, Gainsbourg's was surely of the self-punishing kind that could be appreciated by jury members Huppert, Asia Argento and Shu Qi, all of whom have played similarly extreme roles. Waltz, the suave German on Brad Pitt's tail in Inglourious Basterds, thanked the film's "unique and inimitable creator," Tarantino, because, he said, after 30 years in the business, "You have given me my vocation back." Later, the press asked both actors what they'd think if some of their scenes were cut for international release by their respective directors. Said Waltz, impishly...

Author: /time Magazine | Title: Haneke's The White Ribbon Wins Cannes Palme d'Or | 5/24/2009 | See Source »

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