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...participating photographer is Pete Eckert, an artist with multiple degrees in design and sculpture who only turned to photography after losing his vision in the mid-1980s. He opens the shutter on his camera and then uses flashlights, lasers, lighters, and candles to paint his scene on film. He explains: "The human brain is wired for optical input, for visualization. The optic nerve bundle is huge. Even with no input, or maybe especially with no input, the brain keeps creating images. I'm a very visual person, I just can?t see." "Sighted photographers always talk about the difficulty...

Author: /time Magazine | Title: The Art and Heart of Blind Photographers | 5/17/2009 | See Source »

...There's the kind of movie people see because they have to - because it's the weekend's big new attraction, and marketing and habit have schooled them to want to see it on opening day. And occasionally there's a film people see because they want to - because a friend told them it's fun, or they've already enjoyed it and want to return. This weekend, obligation was represented by Angels & Demons, a sequel of sorts to the 2006 superhit The Da Vinci Code, with the same star, Tom Hanks, and director, Ron Howard; and pure movie pleasure...

Author: /time Magazine | Title: Box-Office Weekend: Hanks by a Hair | 5/17/2009 | See Source »

...weekend. Angels, actually a prequel, didn't generate the kind of heat that spurs audiences to see it immediately. Also, Dan Brown, the author of both Da Vinci and Angels, is a powerhouse literary name but not yet a megamovie franchise; Star Trek, the latest in a series of film spin-offs that date back 30 years, has brand recognition few can match. And the target audience for best-selling novels made into movies is older than the action-fantasy crowd, and typically slower to get into theaters...

Author: /time Magazine | Title: Box-Office Weekend: Hanks by a Hair | 5/17/2009 | See Source »

...Element of Crime, won the Technical Prize at Cannes - and after showing Europa/Zentropa (Jury Prize, or third place) in 1991, Breaking the Waves (Grand Jury Prize, or second place) in 1996, and Dancer in the Dark (finally, the Palme d'Or) in 2000 - von Trier presents his eighth film in the competition. Antichrist is both his most familiar film - a horror film of a soul gone mad, as in Psycho and The Shining - and one of his most transgressive, which is reviewer's jargon for gross-out gruesome...

Author: /time Magazine | Title: Antichrist: Von Trier's Porno Horror Rhapsody | 5/17/2009 | See Source »

...trailer for the film, put online earlier this year, stoked fears in von Trier fans of a mainstream sell-out; it "makes it seem, quite shockingly, like an uninspired piece of genre hackwork," wrote Xan Brooks on the Guardian blog. "Surely, that can't possibly be true." It's not. As von Trier has said in an interview with Knud Romer, he wrote Antichrist when he was bedridden by depression, and "I let the film flow to me instead of thinking it up... And because some of the material comes from my youth, it may be unreasonable, ecstatic." If even...

Author: /time Magazine | Title: Antichrist: Von Trier's Porno Horror Rhapsody | 5/17/2009 | See Source »

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