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Sexy, But Which Sex? An inspiration and patroness to adventurous young directors, especially women, Swinton made her American-film debut as a pan-sexually voracious attorney in Susan Streitfeld's Female Perversions. Lynn Hershman-Leeson cast her as Lord Byron's daughter Ada King, who devised an early computer, in Conceiving Ada, and, in Teknolust, as a geneticist who makes three copies of herself (you must see the trio dance together in kimonos). But it was Sally Potter's Orlando, which Swinton helped raise the money for, that won the actress her sturdiest pre-Hollywood acclaim...

Author: /time Magazine | Title: Why Tilda Swinton is the Queen of the Indies | 5/10/2009 | See Source »

...grow old." Over his 400-year life, Orlando is a man, then a woman, then a bit of both - the two sexes evolved into one. Swinton had played men before: she was Mozart in a production of Pushkin's Mozart and Salieri, and in the play and film Man to Man she was a woman in Nazi Germany who assumes her dead husband's identity. Once, at an airport security checkpoint, she was herded into the men's line. With her short hair and lanky frame she can seem either gender, or the best of both - a super-androgyne with...

Author: /time Magazine | Title: Why Tilda Swinton is the Queen of the Indies | 5/10/2009 | See Source »

...status quo. And she's scary-good as two underclass drabs: a fishwife having a torrid, ruinous affair with Ewan McGregor in Young Adam, or Bill Murray's ex-girlfriend, now trailer trash, in Jim Jarmusch's Broken Flowers. (She also has a few moments in Jarmusch's new film The Limits of Control...

Author: /time Magazine | Title: Why Tilda Swinton is the Queen of the Indies | 5/10/2009 | See Source »

...tough Latinos - all without taking a drop of her favorite beverage. At times Julia seems to have been made by a sloppy drunk, lurching down new narrative alleys, forgetting where it started, heedless to where it's heading. Indeed, Zonca and Swinton have both called it "an alcoholic film...

Author: /time Magazine | Title: Why Tilda Swinton is the Queen of the Indies | 5/10/2009 | See Source »

...masochistic viewer. If you get into the movie's unsteady rhythms, the experience can be an enthralling ordeal. That's because Swinton gives Julia, and Julia, all her power and coherence. It's like so much of Swinton's work: a huge star performance in an ornery little film. When she meets directors with grand or weird or disturbing ideas, she does make their dreams come true. We expect no less of the queen of the indies...

Author: /time Magazine | Title: Why Tilda Swinton is the Queen of the Indies | 5/10/2009 | See Source »

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