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...wrote on the blog after the production ended that he had been called up for military duty. "This situation is absurd," he wrote. "I've just spent three months working on a project where I felt the door opening? Now this illusion is over." What remains is a fine film and a new way of documenting a place we hear about often, but never really know...
...illustrated by Dave Gibbons--can't match this Mach 2 ride through alternative history. Nor is the movie likely to live up to the hype it and its source novel have generated. Derisive laughter was heard at a critics' screening, and a Hollywood Reporter review predicted that the film--budgeted at $100 million and the object of a rights wrangle between Warner Bros. and 20th Century Fox--would be the "first real flop of 2009." (TIME's Lev Grossman offers a fan's review of the movie. Download the podcast...
...manual typewriter), when most comics had an afterlife only in the back-issue bins. But Watchmen soon attained the status of legend and literature; in 2005, TIME cited it as one of the 100 best novels since 1923. (See page 54 for our book critic's take on the film adaptation.) And it continues to expand its base. Last fall Gibbons put out the latte-table book Watching the Watchmen. The story is also available on DVD in "moving comic" form--very limited animation of the drawings, with a narrator reading the text--that runs about twice the length...
...template, and screenwriters David Hayter and Alex Tse have brought coherence to a plot that often lurches into flashbacks within flashbacks. The section showing the mutation of mild-mannered scientist Jon Osterman (Billy Crudup) into Dr. Manhattan is a gem of lucid storytelling. Shuffling the sequence of tenses, the film shows Jon as a young man in love, a fellow scarred by a nuclear accident, a boy watching his watchmaker dad, a superhero who can change size and location at will, a middle-aged stud letting his old love slip away as he finds someone younger, and finally...
Mark Harris' agreeable article on Kate Winslet ignores one of her defining cinematic achievements: her first film, Peter Jackson's classic New Zealand epic Heavenly Creatures [March 2]. The strength of this performance, and the manner in which she brought to life the notorious Christchurch schoolgirl Juliet Hulme, was deeply striking. One can only gape in awe at the growth in ability she has shown from such an auspicious beginning. Victor Ochoa, DANVILLE...