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...It’s been a constant tug of war between my emphasis on historical accuracy and [the filmmakers??] emphasis on telling a good story,” Nicholi says...

Author: By Tina Wang, CRIMSON STAFF WRITER | Title: Leverett Seminar Inspires TV Series | 2/24/2004 | See Source »

...Last Samurai is a cliché wrapped in a stereotype, with the entire endeavor ultimately resting on the filmmakers?? belief that their audience will swallow the movie with the unthinking ardor of a sumo wrestler breaking fast at a sushi bar. Lush cinematography aside, The Last Samurai resounds as a rant (produced in Hollywood!) against the ills of globalization. The movie’s white characters are essentially portrayed as terrorists, and Cruise’s character can be redeemed only after he rejects his western thinking and dress (though he ultimately proves his superiority to the Japanese...

Author: By Nathan Burstein, CRIMSON STAFF WRITER | Title: Movie Review | 12/12/2003 | See Source »

...awards will be made up of $25,000 in cash and $75,000 in production benefits to aid the filmmakers?? efforts...

Author: By Morgan Grice, CONTRIBUTING WRITER | Title: AOL, Af-Am To Award Grants | 3/19/2003 | See Source »

Monsters, Inc. derives its clever narrative engine not just from the exploration of the monsters’ magical world, but from its clash with another world: A little girl whom the filmmakers?? wittily name “Boo” stumbles into Monsters, Inc. Magical mayhem ensues...

Author: By Couper Samuelson, | Title: Next Stop Wonderland | 11/13/2001 | See Source »

...prosthetic noses. This may simply be due to the nature of the roles—why an overweight woman would demean herself by playing one of these characters is beyond me. Nevertheless, the obvious “uglification” of female cast members lends no authority to the filmmakers?? alleged attempt to satirize American pop culture’s insistence on seeing only perfect faces and bodies...

Author: By Nathan Burstein, CRIMSON STAFF WRITER | Title: Shallow Hal | 11/9/2001 | See Source »

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