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Tony Conrad ’60 is an acclaimed and multitalented filmmaker, composer, and conceptual artist. Last weekend, the Harvard Film Archive (HFA) welcomed Conrad in person to screen a selection of his films, and his eclecticism was readily apparent. His unconventional and experimental approach to filmmaking??which includes literally cooking film to yield different visual effects—has led to a long and varied artistic career. On Saturday April 5, he screened his seminal work “The Flicker” (1965), a black-and-white avant-garde piece. On Sunday, he opted...

Author: By Betsy L. Mead, CONTRIBUTING WRITERS | Title: HFA Hosts Avant-Garde Filmmaker | 4/11/2008 | See Source »

...Stone is a guaranteed blockbuster. But as exciting and luscious as the film is to watch, devoted fans are sure to be somewhat disappointed. Yes, the film is faithful, but it fails to capture the heart and magic of Rowling’s words. Such is the curse of filmmaking??it destroys the innocence and imaginative visions that are inspired through reading...

Author: By Michelle Kung, CRIMSON STAFF WRITER | Title: Do You Believe in Magic? | 11/16/2001 | See Source »

...elements of the Toy Story 2 airport scenes—absolutely no one can make animated chase sequences as comically exciting and inventive as Lasseter and Co., who also manage to pay tribute to Disney movies galore. This distinctive combination of whimsy and wit defines a distinctive way of filmmaking??what I like to think of as the “Pixar genre...

Author: By Tiffany I. Hsieh, CONTRIBUTING WRITER | Title: The (Un)usual Suspects | 11/2/2001 | See Source »

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