Word: films
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Dates: during 1930-1939
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...things many people are going to do this year is to record the Holiday activities of their families on colored Film in both still and movies thereby perpetuating for years to come actual lifelike appearances...
...often take sketch pads to concerts and try to "draw" the music. Hollywood has lately caught on, and An Optical Poem by Artist Oskar Fischinger, a visual translation of Liszt's Second Hungarian Rhapsody, was released last spring by MGM. In Len Lye's new and slicker film, the hot music not only is heard but appears as a complex, fast-changing pattern of brightly or subtly colored shapes. Simultaneous with the trumpet notes of Red Nichols' solo a vertical ribbon of cold green light vibrates on the screen, sways against a violet background. Drum beats appear...
...corporation employing 75 animators, 150 copyists and a gang of gagmen, musicians and technicians. They are first drawn on large celluloid sheets, superimposed and then photographed one by one. Len Lye, however, paints or stencils his designs by hand, slowly and methodically, on the thin ribbon of film stock itself. Some of the names Len Lye gave to musical effects: "a splurged woomph" (drum beat), "a zing-a-zing-a-zing-a-zing" (violin), "flutter" (clarinet...
...Jane, and baby Bix (after Bix Beiderbecke) in a neat house and garden in London's suburban Chiswick. Before he went to England in 1926, Len Lye had worked as a farm laborer, carpenters' mate, quarry laborer, miner, packer, sheep-shearer and scenario writer for an Australian film company. In England he has earned his living as sceneshifter and flyman in a theatre, prop-boy in a film studio, "effect" man with film companies. Last month Poet Laura Riding wrote a pamphlet about him. Said she: "There is a work of purification to be done...
Says Len Lye himself : "I'll put on a film that will blow the film-world skyhigh...