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Word: films (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Friday night the action moves outdoors with W. C. Felds and Road Runner appearing on the screen. Ever since the movie of Colonel Pell two weeks ago, people have been turning out in droves for Quincy film presentations. Beer will be available...

Author: By Bennett H. Beach, | Title: On Spring Weekends and Beer | 5/1/1969 | See Source »

...Rafferty filmed a scene of the three girls hitchhiking nude on March 23 on the grounds of the Myopia Hunt Club in Hamilton. A member of the club complained to police and they were arrested. The film is Rafferty's term project in Vis Stud 146b: "Light and Communication (Animation...

Author: NO WRITER ATTRIBUTED | Title: Nude Movie Makers Are Barely Sentenced | 4/30/1969 | See Source »

...production of the play has some interesting points, too. Film is used, but not to show actions that are important psychologically, Shea points out. Rather, the film sequences show major events in the lives of the characters that they then have to deal with. Pushkin watches the bloody raid on the Decembrist Revolutionists by forces of the Czar on film, and Lermontov watches the death of Pushkin on film. Later, the Czar sees part of Lermontov's novel, which he terms "self-indulgent," on the screen...

Author: By Aileen Jacobson, | Title: On Art and Politics | 4/30/1969 | See Source »

...Lugosi. You therefore expect, and get, a wide range of bizarre deeds--for starters, Satanism and skinning alive. The more extreme of these deeds are supported by a host of lesser strange touches, partly in Ulmer's visual style and partly in the fine acting. These touches make the film the masterpiece it is. They constantly reveal the personalities of the characters--especially the two leads, whose traits and drives take in all mutations of moral position and psychological experience. Karloff initially seems perverse and decadent; Lugosi, virtuous. But Lugosi's night-marish past experience and present insecurity drive...

Author: By Mike Prokosch, | Title: The Black Cat | 4/26/1969 | See Source »

...these are in one sense just good film-making; they exploit a given dramatic situation. Choosing a certain camera angle or a certain lighting merely extends the expressive possibilities which the script offers the director. But in Ulmer's case exploitation becomes flights of pure imagination. In one scene Karloff goes to put out the cat. He walks down a dark hall into a gallery lined with glass cases. Passing from one, in which a blonde woman in a white frock is suspended, to the next, his reflections in the glass and the woman's frame each other and make...

Author: By Mike Prokosch, | Title: The Black Cat | 4/26/1969 | See Source »

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