Word: films
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Dates: during 1960-1969
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...seat. (Last May, one Fort Worth theater marquee inadvertently carried two contradictory promotions: SAVE FREE TV and INDY 500 RACE CLOSED CIRCUIT TV.) The NATO contention that pay-TV would rob the poor is similarly leaky. With subscription TV, a whole family could see a film for $1.50 or so, far less than the price of admissions, baby sitter and transportation to the theater...
...electronic equipment a sign warned: DO NOT APPROACH THE SPEAKER BANKS TOO CLOSELY WITHOUT PROTECTIVE EAR MUFFS. All around stretched an undulating, thick-pile carpet of humanity. Three of the Beatles were there, and three of the Rolling Stones, and celebrities like Actress Jane Fonda and her husband, Film Director Roger Vadim. So were bedraggled pilgrims from Sweden, Holland, Australia, the U.S. and every corner of Britain, many of whom had hitchhiked for days to get there with bedrolls and rucksacks on their backs. For a week, brightly colored tents had dotted the festival grounds. For the past twelve hours...
...third episode that keeps Spirits alive. Never Bet the Devil Your Head is Federico Fellini's first film since Juliet of the Spirits, and it is a 40-minute excursion across the surreal landscape of his boundless imagination. Never centers on a washed-up Shakespearean actor named Toby Dammit (Terence Stamp) who has come to Rome to star in "the first Catholic Western." He is hounded by his own self-contempt and haunted by a vision of a corrupt cupid from hell, a devil in crinoline (Marina Yaru), who appears before him bouncing a large and somehow ominous white...
...more flamboyant turns of the screw. His camera swoops through the Rome airport during Toby's arrival, catching glimpses of bizarre travelers bathed in demonic orange light, their bodies contorted into poses that are parodies of reality. Indeed, there is almost too much in Never for a short film. Fellini's sometimes prodigal genius threatens to overwhelm the story, which he apparently agreed to do only on the advice of his astrologer. But even to such journeyman projects, Fellini brings the kind of stylistic prestidigitation that has made him one of the world's greatest film makers...
...strewn floors bearing trays of delicacies from some gastronomic apocalypse: a white calf wearing a brass helmet, cows' udders aswim in a mucid green sauce. It is a picnic in the best traditions of ancient Rome and Federico Fellini, designed and executed for Satyricon, his first full-length film in four years. It may be the most glorious bacchanal in the history of the cinema. At its opening last week at the Venice Film Festival, that promise seemed to be fulfilled. The normally reserved press corps gave the film a five-minute ovation, and the first-night audience...