Word: films
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Dates: during 1960-1969
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...WILD BUNCH. The script is only another chapter in the legend of the West. But Sam Peckinpah's direction places him with the best of the newer generation of American film makers and makes the film a raucous and extremely violent classic of its genre...
GOODBYE, COLUMBUS. Director Larry Peerce has produced some rare moments of social criticism in this film, but he frequently slips into burlesque. Nevertheless, Richard Benjamin and Ali MacGraw save the show with skillful performances...
...called on Sir Bernard Lovell, director of the Jodrell Bank Experimental Station in England and one of the world's foremost authorities on astronomy, for a live interview feature. And while ABC might have 2001 film clips for its viewers, CBS planned to have 2001 's author, Arthur Clarke, on hand, along with Sir Francis Chichester, Buster Crabbe (Buck Rogers) and Buckminster Fuller...
...match, although his personal leaning is toward Latinesque blues. Schifrin's version of the blues is a way of expressing passion and depicting people in a cooler and less sentimental mood than would have been likely a generation ago. That attitude fits in with the new approach to film scoring. "Today's composers are a little more subdued, a little more inward looking," he says. "We are suggesting and implying things through our music rather than directly expressing things...
Unlike all the directors of Paris Vu Par, Straub has never developed a dynamic sense of the frame, one which puts people, settings, and objects in a framework where they interact. The critical consciousness of the French directors literally make their films what they are. For Straub it is not critical consciousness but self-consciousness. The difference between Paris Vu Par and not Reconciled is the difference between well applied film theory and hastily applied Ideas About Film...