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Word: films (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Maybe Director Francis Coppola should not have bragged to everyone that he was making the definitive film of the Viet Nam War with Apocalypse Now [Aug. 27]. Maybe he was his own worst p.r. man. But what he did do was create one helluva tremendous cinema experience that stunned me and many others into silence. The film, like the war, is overpowering, brutal, unrelenting, spectacular. Who cares if Coppola had second thoughts about the ending? Did the war itself end as we Americans planned...

Author: /time Magazine | Title: Letters, Sep. 17, 1979 | 9/17/1979 | See Source »

...look at the course catalogue you'll see a few studio art, film, and photography courses in the Visual and Environmental Studies (VES) department but that's it as far as academic credit is concerned. It's not that the arts don't exist at Harvard; it's just that the Faculty hasn't officially recognized them yet. Harvard's very active Office of the Arts and many student organizations are the caretakers of the arts here. In other words, if you're going to give time to a performing art--one that you do with your hands or your...

Author: By Suzanne R. Spring, | Title: Putting Art in the Liberal Arts | 9/14/1979 | See Source »

...celebrated since his days as a cornerstone member of the Animals, one of the most vigorous of the Beatles-era British rock groups. His songs for Lindsay Anderson's mock epic of modern England, O Lucky Man (1973), stand as one of the decade's most original film scores. But the spike in his lyrics can be easy to miss: it is hidden neatly between a rich melody and a smooth delivery that owes as much to cabaret as to the Speaker's Corner in Hyde Park. Lately, too, his songs have grown rather more introspective...

Author: /time Magazine | Title: Music: England's Own Fair Son | 9/10/1979 | See Source »

...Metairie, La., Behavioral Engineering Center, may be a little premature in his Orwellian zeal. But the idea of subliminal communication has long intrigued behavioral scientists. In the mid-1950s a marketing researcher named James Vicary broke ground of sorts by inserting rapidly flashing words between the frames of a film to stimulate refreshment sales ("Hungry? Eat popcorn") in a Fort Lee, N.J., moviehouse. Pictures of a skull and the word blood were also added to two horror movies. But this practice soon fell out of favor after it was exposed in Vance Packard's alarming bestseller, The Hidden Persuaders...

Author: /time Magazine | Title: Behavior: Secret Voices | 9/10/1979 | See Source »

Director Jerry Schatzberg has transferred television production techniques to the big screen in an attempt to reinforce the film's relation to current events like the Draft Kennedy movement. The effect is a cheap look for the film. A national convention scene looks like a Mets game, with an embarrassing sea of empty seats in the background. There is little location shooting, especially in Washington where the opportunities are abundant, which saps whatever realism Schatzberg managed to achieve with his spare direction...

Author: By Jeffrey R. Toobin, | Title: The Seduction of Hawkeye | 9/10/1979 | See Source »

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